Decent Music PR

Getting featured on the right Spotify playlist can be a game-changer for artists and bands looking to expand their fanbase. With the right approach, it’s an effective way to reach the right audience. Here are our top five tips to ensure your Spotify editorial playlist submission stands out and gets your music heard by the right ears.

1. Identify Your Niche

The key to landing a spot on an editorial playlist is specificity. Editorial playlists are categorised not just by genre but also by mood, instrumentation, and even the artist’s location. To determine the best fit for your song, start by identifying a few keywords that describe your track. For example, you might use terms like “instrumental lo-fi,” “Chinese flute,” or “progressive jazz metal.”

Next, consider other attributes that describe you as an artist/band, such as location, gender, and instrumentation. Compile a list of these keywords for reference in the next step.

2. Find the Perfect Playlist

With countless editorial playlists available, it can be daunting to know which to choose for your music. This is where the list of keywords comes into play. Enter each keyword into Spotify to discover relevant playlists, aiming for something specific and relevant to your song. With playlists like “Made in London” or “Café Africa” available, location can be highly important. Even gender can play a role; playlists like “Women in Jazz” may align well with your music. Once you find a selection of playlists, examine the other artists featured. It’s good practice to pitch to playlists that include artists at a similar level of monthly listeners to yours. 

One final tip: make sure you are looking for the right type of playlist. Be sure to check for the green Spotify logo in the byline next to the curator’s name. Avoid personalised playlists marked “Made for [your name]” as these aren’t suitable for submission.

3. Choose Your Most “Playlistable” Song

Selecting the right song for submission is crucial. Again, think about the niche that your song fits into. The right song may not be the strongest you have, it may just suit a playlist more than your others. Focus on the one that’s most “playlistable.”

For instance, if you’re in a Japanese dream pop band, you may discover there isn’t a specific “Japanese Dream Pop” playlist to submit to. However, one track on your upcoming album is a chill, ambient instrumental track that is perfect for the “Ambient Japan” playlist – it’s the right niche and the other artists featured have a similar amount of monthly listeners to your band. Even though the playlist doesn’t suit the band specifically, that one dreamy ambient track is a perfect fit and, because of, this may have a much higher chance of getting playlisted than the other songs on the album. This method can also help you branch out and reach a wider audience.

Remember, if you’re releasing an album, you don’t need to pitch the singles; any track from your album can be submitted!

4. Submit at Least Four Weeks in Advance

While Spotify recommends a minimum of 7 days’ notice for Spotify editorial playlist submissions, we advise aiming for at least four weeks in advance. Curators receive hundreds of pitches daily, so giving them ample time to review your pitch is crucial.

Early submission also lets you strategise your release and consider promotional tactics to maximise your exposure.

5. Write an Engaging Pitch

This is where your writing skills come into play. Craft a concise and engaging pitch that incorporates 3 to 5 of the keywords you identified earlier. Most importantly, mention the specific playlist where you envision your song fitting. This helps curators understand your vision and the context of the music.

By following these five tips, you can significantly enhance your chances of getting featured on a Spotify editorial playlist. With the right preparation and approach, you’ll be on your way to reaching new audiences and growing your fanbase. Happy submitting!

2 billion users log into YouTube every single month. 694,000 hours of videos is streamed on YouTube every single minute. And guess the most viewed category on the whole platform? Music! Using YouTube to promote your music is a no-brainer. Not only is it a great platform for perfectly-crafted music videos or behind the scenes edits, but with YouTube Shorts, it’s now cornering the market of the shorter attention span. In fact, it’s starting to dominate it. YouTube Shorts receive around 50 billion views ever single day. Damn. That’s a big old audience awaiting your music.

There’s really no reason to be using YouTube to your advantage. And one way to do that? Running YouTube Ads. Running an ad campaign lets you show your music in videos on Youtube. Game changer, right?

So, do YouTube Ads actually help promote your music? Should independent musicians be paying to run campaigns on YouTube? Let’s get into it…

You’ll Reach A Much Wider Audience

Each day, 122 million people are consuming content on YouTube. As we said before, the majority of those users are letting YouTube algorithms dictate their daily soundtrack, as music is the most consumed content on the platform. So, the potential audience for your Youtube Ads is huge. In fact, it’s the biggest reach of all the social media platforms out there. Running a YouTube Ad campaign can put your music on the screens of people that never would have stumbled across your hard work before. The scope of your audience dramatically changes, in the best way possible.

But you have to do it right.

You Can Be Really, Really Specific

When running a YouTube Ad campaign, you can get seriously specific. By streamlining where your YouTube music ad is being directed, the chances of it making an impact sky rockets. When setting up your YouTube Ad campaign for your music, you will need to know exactly what demographic you want to reach. And Google goes into very specific detail. It’s intense, but incredibly worth it. In the end, when your music reaches those viewers, it’s highly likely you’ve gained a new fan.

Above is just one of the questions involved to narrow down what screens to target when promoting your music. With this kind of detail, it’s no surprise that YouTube Ads are 1.8 times more interacted with than other social media platforms.

It’s best to get an agency that can help…

PR agency that can help narrow it down and make it perfect to promote your song.

You Have Full Creative Freedom

When launching a YouTube ad, you have full creative freedom over what you put out there. I mean, within reason. If you’re swearing straight off the bat you’re not likely to reach many consumers. But, overall you can run any video you like in a music YouTube Ad campaign. Including, a music video.

YouTube suggest an A,B,C,D approach when creating an Ad:

• Attract: Draw attention from the beginning.
• Brand: Integrate your brand naturally.
• Connect: Connect with emotion and storytelling.
• Direct: Clearly state a call to action.

And yes, you can make a whole new video introducing yourself to the world. Fuse it together with your recent single and upcoming music video and you’re good to go. But, there’s no pressure too, either. The best part of this process is that you can throw out the music that you love, knowing that it will stick with your chosen demographic.

It’s Easy To Track, Measure and Tweak

Through your Youtube Ads account, it is easy to keep an eye on where your content is landing and who is vibing with it the most. As you monitor where your Youtube ad is making the most impact, it’s essential to keep the demographics you’re aiming for in line with what’s working. You can tweak your target audiences as your campaign runs to maximise the reach as much as you see fit. Or, you can leave it in the hands of the pros! As you well know, time is of the essence as a DIY musician. And if it all seems a bit time consuming, there are plenty of agencies that can take on the admin of running a campaign for you. At Decent, we can help you understand what the statistics are saying and take charge of the tweaks and maximise the most of your ad campaign. Check out our specialist Youtube Ad campaign plans here.

Let’s be real. As a DIY musician, you know that the best way to get your music from your bedroom speakers to people’s headphones is through social media. We’re all on it. All the time. Platforms like TikTok, YouTube, and Instagram wield the power to shoot an independent artist to stardom overnight. To have a platform, you need to take your social media promotion seriously. Gone are the days of artist development, led by labels to nurture an artist from the ground up. Start a successful social media presence and the industry will meet you on the fifteenth floor. You’ve got to have a platform. But the good news? That’s totally attainable.

So, let’s get into it. Here’s our guide on how to get your socials started (don’t worry, it’s not as daunting as it may seem) and how to build a following hefty enough to get the industry’s attention:

Pick The Right Platforms

Firstly, it’s important to decide which social media platform is best for you to focus on. TikTok, Instagram, Youtube, Twitter, Facebook, Twitch, and Snapchat (it’s a long list… let’s leave it there) are all great, but they all offer a different target audience. Their purposes vary, so how much attention people spend on them does too. Let’s have a brief look into the three social media platforms that are the best for music social media marketing:

Youtube
Many artists that dominate the airwaves found fame on YouTube. Back in 2008 when the social media platform was just a baby, Justin Beiber, Halsey, and Troye Sivan were discovered on here. Nowadays, it may seem like this market is much more saturated… and yes, around 2500 videos are uploaded every minute. But, songs are the most watched content on the website, and with the rise of YouTube Music, it’s much easier to be discovered. In addition, you can easily monetise your channel, you so can be financially rewarded for your hard work in real-time. We help to run YouTube Ad Campaigns, to check out more, head here: https://www.decentmusicpr.com/youtube-ads.

TikTok

Promoting your music on TikTok is incredibly efficient. The short-form nature of the platform means you can create lots of content from one music video, or recording session. It also allows musicians to connect to fans in a more personal way. It’s pretty standard to have talking videos or anecdotal content mixed in with the music-centered uploads. It’s much more personal than, say, Instagram. The ability to separate the ‘sound’ on the video (e.g. your amazing new release) allows others to use it too. Free promotion, anyone?

Instagram is all about the aesthetic. It’s the perfect place to build your brand, and when it comes to marketing your music on social media, Instagram is where you can really build a buzz. The behind the scenes pictures, the teasers of upcoming tracks, the press shots, the artworks… all of them deserve a spot on your grid. Instagram encourages a loyal and longterm fanbase, that will actually engage with your well-curated content. As opposed to TikTok, which throws your content out to as many people as

Be Authentic… Be You!

The great thing about social media marketing is that you can truly be yourself. The consumer wants to get to know the artist behind the art. Not only does it create a deeper connection with the music, but fans can feel directly connected to the artist, too. TikTok and Instagram are the go-to’s for this. What other hobbies go alongside the music you’re making? What other sides of yourself are you happy to share with your newfound fans (friends)? Being yourself helps keep it real. And there’s nothing worse than a social media presence feeling like a fake persona. It’s too transparent. It won’t last long.

Find Your Target Audience

Don’t be afraid to do some market research to get your head around this one. Look at artists who you aspire to or bands that are working in the same genre as you – what sort of content are they posting? What hashtags are they adding to their captions? Obviously, we are not saying to copy and paste social media strategies from other artists. But, to begin with there’s no harm in seeing what sort of content your target audience is responding to. You’ll then know who you’re trying to connect with and how to make that connection.

Bonus Tip: Community engagement is an essential part of the social media marketing of your music! Reply to your comments, like your follower’s stories, and share other’s work. Be part of the community that’s forming around your music.

Oh, and tag everyone who’s in your pics. The studio, the other artists, the photographer, heck, even the people in the crowd if you know them! They’re likely to share it to their profiles and there you have it, a boost in followers and exposure from just one post.

Create Great Content

Different platforms demand different amounts of effort. Creating great visual content will immediately put you in a better position to build a healthy following. Social media marketing is… well, marketing. So you want to make sure what you’re putting out into the digital world is the best that it can be. Repurposing content is also a great way to get good content on the fly. Have a music video out? Create as many clips as it can be cut into and there you have it, a month’s worth of TikTok posts. Did a show last week at your local pub? Chop the vids up and you have loads of reel-worthy content for Instagram with a lot of people to tag and promote you. Sorted.

Use A Content Scheduler

Once you’ve made all that content from your recent music video… schedule it! Uploading your content onto a scheduler is a surefire way to make sure you’re keeping up with the posting. It’s easy to forget to do, life always gets in the way. But by using a scheduler you can upload all in one go and forget about it. Then all you have to keep up with is engaging with the reaction from your fans. Here are some great free schedulers to try:

• Later
• Buffer
• Planable
• Facebook’s Meta Business Suite Scheduler: You have to go into your Facebook account for this one, but, trust us, it’s great. You can post every type of content with no extra fees and links straight to your Instagram.

Happy posting!

One thing to remember when promoting your music on social media is to not overthink it. Yep, we know… seems pretty counterintuitive after all these tips. But, being yourself and posting what you find interesting, engaging, and creative is the best way to stay motivated and committed to your music’s social media marketing strategy. Once you’ve got all these set up, remember to include them in your Electronic Press Kit and even do some paid promotion with the platforms themselves.

Remember, you’ve already done the hard part. You’ve made the music. Promoting your music on social media is an exciting opportunity to get it out there. So, get posting.

Getting your face featured in your favourite music mag is a two-fold process. You need to craft the perfect press release and write a punchy pitch. Then, you need to find out where to pitch it. The latter takes a level of persistence and commitment that only a DIY musician on a mission to make it could muster. It takes trawling the internet for the right contacts and submission forms with potentially not much return. But, when it does pay off, boy, does it feel great.

perfect press release

Luckily, there are plenty of online music publications, journalists, and music blogs that want to hear your music. And, if it’s up to scratch, will feature it on their platform. So, how do you get heard by the right ears?

Make Sure Your Pitch Is Up To Scratch

We have a guide to penning the perfect press release to get you prepared for this moment. Make sure all your information, including links to profiles, streaming statistics, and show dates, are completely fresh and up to date. Remember to keep it concise, especially if you’re submitting through a form on the blog’s site. Another great link to include is your EPK. Find out how and why these are so crucial in our guide to building one here. Once you’ve got that sorted, let’s get into how to pitch that press release to the right people…

Identify Your Hit List

The first thing to think about is: where you want your music to be featured? Now, I know the first thing that came to mind was NME, Rolling Stone, and Billboard. Hell yeah, in the end, the goal is to get you there. But, whilst you’re DIYing your music marketing, you’ve got to be a bit more realistic. Doing some research into smaller blogs or freelance writers that specialize in your genre is a great place to start. In the long run, getting the ball running with coverage in smaller music publications will eventually lead to the bigger ones. We’ve included some with genre niches down below to get the ball rolling for you…

Be Specific

Get personal! If you can find the music editor’s name, use it. The recipient is way more likely to keep reading if you’re directly addressing them. It’s not too hard to find out who the music editor is. Usually, on the site itself, there should be a list of contacts. If not, LinkedIn will be your best friend. Searching the employees of the magazine will quickly reveal who will be opening your press release. One sure thing to avoid? The mass email. There is no CCing or BCCing in this game. It might save you time, but it won’t help persuade the publication or journalist that you’re a good fit for them. In fact, it will most likely do the opposite. So, get digging, get personal, and get yourself of cup of tea… you’ll be there a while.

Know Who You’re Emailing

Now you have got the the right email, it’s important to do your background research. An endless tide of press releases flow into a journalist’s inbox each week. Even higher numbers wash through the submission forms of online publications. So, butter them up! Commenting on a journalist’s recent piece that caught your attention will up your chances of the writer reading on. Following their socials and finding out more about their interests and audiences will give you more of insight on how to pitch. At the end of the day, we’re all human. In the digital world in which DIY marketing operates, genuine connection can be lost. So, be human. Be genuine. Have more to mention than what they can do for you.

Top Tip: Get ahead of the game! Even before you have a new track to pitch, find the freelancers who are writing in your genres and follow them! Starting a dialogue before you hit them up asking for a feature will hugely work in your favour. Even if that dialogue is liking and commenting on posts or sharing pieces on your socials. Being a recognisable name, rather than just another press release clogging up the inbox, will help you massively in getting the publicity your music deserves.

Follow ALL The Guidelines

If you’re not emailing a select person or email, you’ll be submitting through a website submission portal. They’re very common and a bit easier than scouring the internet for the correct editor or journalist to contact. However, every single submission portal on a music magazine or blog will have different guidelines. It’s vital to thoroughly read through and understand what the different blogs are asking for and stick to it. If you don’t, the likelihood of them even listening to your music is pretty slim. Don’t rush your submission, better to get it right the first time than to confuse them with re-dos!

^Screenshot of Music Bloggers Network – Click Image For Link To Submission Page^

So, now you should have a sense of how to get your press release over to the right people. Here is a starting off list for great publications to submit your music too. It’s a mix of emails and submission portals, so you can get used to both:

Pigeons & Planes

Genres: All

Pigeons & Planes is part of COMPLEX media and is a “music discovery” site for all genres of music. It features underground and independent music as well as the chart toppers.

How To Submit: submissions@pigeonsandplanes.com

The Line Of Best Fit

Having been around for over a decade, The Line Of Best Fit is a renowned publication. Their playlist Spotify New Music Discovery is a huge selling point of landing a feature here too.

How To Submit: https://www.thelineofbestfit.com/contact

Indie88

Genre: Indie

As the name suggest, this publication talks everything indie! So, if that’s your style then you should be submitting to these guys. They also boast an internet radio station that streams curated playlists of indie tunes.

How To Submit: https://indie88.com/submit-your-music/

Acid Stag

Genre: Electronic

This Australian based music blog covers electronica, disco, house, funk, DnB, electro-RnB. Everything produced, basically.

How To Submit: https://acidstag.com/about/

Electronica UK

Genres: Electronic, Experimental

This publication doesn’t do anything too “commercial sounding”. To quote them, “We aim to share some great tunes, from both established and underground artists, to help connect music to ears.” So, whatever that means, I guess?

How To Submit: https://electronica.org.uk/submissions/

The Alternative

Genres: All Genres

The Alternative does exactly what it says on the tin. Anything alternative! They “only publish music they find that truly sounds great”. Quite a broad range, so worth a submission.

How To Submit: TheAltSubmissions@gmail.com.

Folk Radio

Genres: Indie

Folk Radio’s music coverage is non-mainstream and eclectic… It’s main genres are rooted in the indie and folk landscapes, but they touch on anything that is off the wall mainstream, experimental and underground sounds.

How To Submit: submissions@folkradio.co.uk

You’ve done the hard graft. You’re re-mixed and mastered your single every other day and now you have it perfect. The tune is finally ready to go. You’ve uploaded it onto DistroKid and have your release date. What is next? The press release.

As an independent, DIY musician you are most likely used to getting your hands dirty and managing some of the PR on your own. Music press release distribution is no different. Writing a press release is a crucial step in marketing for any single and album release, announcing tour dates, or distributing your new music video. It’s your gateway into more publicity on music blogs and magazines. So, how do you write a music press release? And how do you make it hit the mark and get the publicity your perfectly mixed track deserves?

What Is A Press Release?

First things first, you’ve got to get to grips with what a press release actually is. In a nutshell, an independent press release is a cheat sheet pitch that’s going to grab the media’s attention. You’ll send it to music bloggers, journalists, and magazines and, if you craft the perfect press release, you’ll find yourself a spot in their music news. So, what actually is included in an eye-catching press release? We got you.

1. Headlines and Headings:

What single or album are you promoting? How can you make it catchy? Get a good headline right from the get-go of your independent press release and your readers are more likely to keep reading. We all want our job to be a bit easier. Helping the journalist in and include a tagline they can utilise when writing up a piece. It also helps section out your press release so your reader knows where to look for the right information.

2. Artwork and Press Images:

You want your face in the media, right? Including the album artwork is wildly important. How are the readers of the music publication going to recognise you when they search for your track? Include press shots. But, not all of them. Bombarding your pitch with the whole Google Drive from your photo shoot may feel like a great idea. Giving them options, right? Wrong. Making the journalist’s life easier is going to increase the likelihood of getting on the publication and giving them a hundred shots (no matter how great they are) to sift through isn’t going to help. Pick your favourites and the ones that suit the specific track and include them.

3. Quotations:

What other respected music outlets have mentioned you? It’s all about the clout. It’s okay if you’re not quite at this point yet. You gotta start climbing the press ladder from the bottom rung up and that’s okay. Even if it’s a more lowkey publication or the promotor from your recent gig, it’s important to include some quotes from music industry individuals to get the ball rolling. If you’re at a stage where you’ve had quite a lot of press, there’s no point in including them all in your press release. Look at the magazine or journalist that you’re pitching to and include the reviews from similar publications. It’s going to help them see you in context with their readers and the aesthetic of their site. But, if you’ve been featured in, say, NME? Forget all the rules and shove that right on there… in bold, and maybe caps… congratulations, you independent music press release wiz.

4. The Five W’s: Who, what, when, where, why?

This may seem like the boring facts. But they’re important! You want the right credits and information when you find yourself a feature. So, who’s in the band? What is it (a tour, single, album, new singing)? Where is the event or single being launched? When is it happening? Why has it come about? The why may seem vague but it’s crucial. We get to that a bit more down below.

5. External Links:

We’re talking about your Instagram, Twitter (sorry… X) Youtube, Website… whatever you got, get it on there. Journalists will most likely copy and paste this into the piece so make sure it’s correct. It could be a general LinkTree, or might look something like this:

Facebook | Instagram | Website

You’ve Got The Basics… Now, Stand Out!

So, that’s the general gist. Press releases are used in every avenue of the PR industry, so you better believe that writers are used to receiving a lot of them every day. How can you make your independent press release stand out and gain the right kind of attention?

Get Straight To The Point

Journalists will have a wave of press releases wash over their inbox each week. They will be skimming over all the waffle. If there’s too much, it’s more than likely they won’t be delving into the details altogether. Getting straight to the point ups your chances of having your music heard tenfold. Be concise, be engaging and your music is more likely to be heard.

No Attachments!

Including attachments might feel easier… “see attached PDF for the full press release” seems like a sensible way to start music press release distribution. However, as a foreign email address, adding attachments increases the likelihood you’ll end up in the ‘spam’ or ‘suspicious’ segments of the receptor’s email algorithm. To begin with, get it all in the content of the email. Once you’ve emailed back and forth, sending an attachment won’t be such risky business.

Add A Personal Touch

There’s one thing that makes you stand out. Your story. We all have one, and, as a creative and independent musician busting their arse to get out there, yours is probably very interesting. Adding a personal narrative or explaining the back story of the song/album is going to add a layer of intrigue, personality, and engagement. As we said before, keep it sort of brief. You don’t want the skippable waffle. But you do want to help build a storyline for the journalist to bounce off.

What’s Next?

Now that you’ve got your perfectly crafted press release. It’s time to pitch. Sourcing the contacts of blog writers, journalists or magazine editors can be a long and, quite frankly, boring process. But, it’s a feat worth doing. If you want to skip that part of the process, independent PR companies will create and distribute your press release for you. They’re more likely to get it to the right people through their extensive contacts and know-how. But, that doesn’t mean you can’t give it a crack yourself. See our blog post on how to pitch your press release to publications to start your pitching journey.

How we discover, enjoy and share music has changed hugely in recent years. Spotify, and Apple Music, along with the rise of social media sounds and TikTok trends have allowed us to have millions of tunes in the palms of our hands… twenty-four hours a day. Which is, quite frankly, a touch of heaven for us music lovers out there. However, whilst securing a spot on a coveted Spotify playlist or starting a trend that sweeps through TikTok with your catchy chorus may seem like the golden ticket, there’s one side of digital music promotion that we absolutely shouldn’t forget – radio plugging. Yes, we’re talking about the good, old-fashioned radio.

Is Radio Still Relevant? We’re Not Gaga About It Anymore…

Radio plugging services may not be at the top of your list when choosing which music PR agency to go with. And that’s understandable. But it is, perhaps, a bit short-sighted. From July to September this year (the last quarter), 49.5 million adults (that’s 88% of adults) listened to their radio every single week. That tots up to 1.016 billion hours of radio consumption happening all over the country, all of the time. Each of these Radioheads is racking up 20.5 hours of radio play per week. See? Radio is still so very, very relevant.

Okay, people are plugged in. But why is plugging your song to radios important?

If we consider the statistics mentioned above as real life scenarios, then the importance of radio plugging becomes pretty clear. Those 20.5 hours a week? Who’s to say that that’s just one person discovering new music through the airwaves? There could be five people all vibing to the same station in the car, or around the breakfast table, or in the office. That’s five people listening to 20ish hours of radio streaming. One radio play could be a whole new host of fans. The scope for reaching new audiences is huge. And, arguably, better than one new listener hastily shuffling through their Discover Weekly playlist.

What else is forgotten when we neglect radio plugging is the art of passive listening. On Spotify, most listeners are active; skipping through, searching for songs, forming playlists. What radio perfects is the joy of passive listening. We’ve all had those songs that weren’t love at first listen, but over time we found ourselves gravitating to it and searching it for specific moments. Out of nowhere, it’s on heavy rotation. Getting your tune played on the right radio station means becoming that earwig people grow to love. There’s no skipping. There’s no Discover playlist that changed daily and will be forgotten tomorrow. Listeners get to hear your track time and time again. In its’ entirety. You become the soundtrack.

So, How Do You Get Your Music On The Radio?

• Pick Your Best Track.

Choosing the perfect song to submit to radio stations is crucial to having success. Think wide mass appeal, catchy chorus or hook, strong musical identity and/or message. Another key thing to consider here is respecting the radio formats. Anywhere between 2-4 minutes is your golden ratio; anything less or more, forget about it. Avoid explicit lyrics or extremely controversial statements. Yes, art is all about expression and risk. No, radios won’t play it on repeat in prime family listening. Radio edits are a thing for a reason and we suggest mixing one together if you want a shot at getting on the airwaves. Most likely, the track you’re choosing is the one we’re working on your campaign with you. Or, if we’re promoting your album, we can help you pick out the best ones for radio plugging.

• Go For The Right Stations.

Nowadays, it isn’t all mainstream radio stations that dominate music discovery. Many operate on the internet and all have a separate niche. Pinpointing where your music fits in the scene and what stations are spinning that scene is crucial. Even if you’re a genre-blurring pioneer, figure out where your influences are on heavy rotation and target that radio station. At Decent Music, we are plugged into the right shows for a variety of genres. Stations we’ve secured airplay on include BBC 1Xtra, Capital Xtra, Kiss Fresh, Rinse, Reform, and more. All of these have a mix of shows aimed a mix of different genres and target audiences. Whatever your music sounds like, we’ll know a radio station that suits you.

• Don’t forget the DJs!

Maximising your chances of being blasted on the radio can be about covering all bases. DJs make the music world spin round and they are the people that will influence what’s on rotation through a show. Remember, there are always student radio shows or low-key online stations that are available to pitch to. Mainstream radio stations will have submission after submission flowing in 24/7. But, fanbases are found in every corner of our culture. Dig deep. You can find DJs, local or otherwise, to reach out to directly. Instagram, LinkedIn, and radio station contact lists are all good spots for finding direct contacts to reach out. ‘Music Director’, ‘DJ’, ‘Station Manager’… these kinds of keywords will get you on the right path.

• Have A Press Kit On Hand

Once we’ve got your music out there, it’s more than likely that you’re going to get some attention from those almighty A&R teams. Catching the eye of a label, promotor or journalist is one of the goals here, and once you do you’re going to want to have an EPK (Electronic Press Kit) on hand. In fact, some radio stations will ask you to submit this with the track so they know what they’re talking about when it comes to airing. Honestly, this is what we do best, and Decent Music can help build this for you so you’re ready to go when you get that DM.

• Use A Radio Plugger and Let The Airplay Roll In!

Radio plugging is no small feat. It takes a whole lot of time and energy. As a DIY musician, it’s likely that finding the time to successfully submit tracks to enough stations is gonna be tricky. That’s where radio pluggers come in. Having the contacts, experience, and clout is a massive bonus for hiring radio plugging services. Your chances of success skyrocket when hiring the pros.

Whether it’s building a fanbase, getting heard by the right industry professionals or just getting some top-notch content for your socials, radio plugging is a key part of any campaign. Whilst the era of the Spotify DJ and tailored playlists is well underway, the 49.5 million people absorbing the sound of their radio station each day is testament enough to the power radio airplay will have on your music’s reach. At Decent, we know how to get your song to the right people and get your music in the airwaves of the right stations. Check out our radio plugging services here.

So you’re an independent musician, in other words, you’re doing almost absolutely everything by yourself. You’re the songwriter, the label, the graphic designer, the producer, the videographer, god knows what else… Oh yeah! You’re the promoter, the publicist, the radio plugger, and the playlister. Oof, that’s a lot of plates spinning. But, on the road to becoming an established artist, there’s one particular plate that is so important that dropping it might just be make or break. Music marketing.

After spending hours in the studio and tweaking your tracks to be the best version of your sound, there’s nothing worse than letting a lackluster release ruin the chances of it getting heard. That’s where the publicists come in. Now… you might be thinking, “Well, what does a publicist do?” In general, music PR companies specialise in getting the word out to the public. Here at Decent Music, we offer a range of ways to help get your music out there, from digital publicity to radio plugging, to playlisting so there are loads of different avenues of music marketing to wander down. In this article, we will delve into the nitty gritty of how music PR can benefit you in your journey to making it big.

What Does Music PR Do For You?

“Aside from helping spread the word, whether that’s via press or radio, in purely logistical terms, it’s often far too time-consuming for a DIY artist to cover all the bases effectively themselves. That’s where the PR comes in.” – Geraint Jones of G Promo PR.

As a DIY musician, with all those plates spinning, paying for music PR is the right call when you need effective and proactive promotion for your project. Digital publicity is the main focus of a music marketing campaign and, quite honestly, unless you want to spend hours submitting pitch after pitch to blogs and playlist curators who might not even read the subject line let alone listen to your track, you need to let the pros do it for you. Music PR agencies will have their foot in the door at many of your favourite music magazines and if you want a shot at getting in there, employing a music PR company to help is probably the way to go.

Now, the next question you might be wondering is… “Why do I need to be on blogs? Doesn’t everyone find new music on TikTok anyways?” The answer is… absolutely! When labels, promotors, and A&R scouts fall in love with your sound and go to google you, you best believe you want that first page to be bursting with content spotlighting you. Call it clout, credibility or whatever you want, digital publicity is going to make you look legit. Search engine optimisation is infiltrating every aspect of digital publicity, and your own personal brand is no different. And to go back to the initial question, it may seem old school but, yes, online music magazines are a tried and tested way of getting your name out there and finding new audiences. And a great music PR team will get you on the exact ones to do just that.

It’s All In The Research

Sue Harris of Republic Media “It’s not just about acting as a messenger. A publicist can bring ideas and work with you to become the best artist you can be. It’s about experience. It’s knowing what works and doesn’t work.”

Okay, so we’ve covered “what does a publicist do?” But what about, how do you find one? There are a host of great music marketing companies out there, but finding the right one is key to amplifying your voice. Undertake some deep research into sourcing the right music PR, whether that’s mainstream or independent music PR. Often a smaller PR agency, with a proven track record of working within your artists of your genre and current exposure numbers will do much more for your career right now than a massive company spread too thin. At its heart, music PR is all about relations and you want to make sure you can have a great relationship with your music publicist. They’ll get to know you, understand your vision, and figure out the best ways to execute that. As Sue Harris hinted, the best music publicists will be able to help you become the best artist you can be and figure out how to market that in the digital landscape of advertising.

Should you pay for promises? F**k no! Like any industry, there are always people who will take advantage of those just starting out. Independent music PR can be no different. Be realistic about what your goals are and how close you are to getting there. Yes, you may want to be the cover of CLASH magazine (don’t we all?) but with one song out and one press shot you’ve got to be realistic as to how close you are to getting that slot. The best music PR company won’t promise you the stars and give you a handful of dust. They won’t promise you 100,000 streams and spam your Spotify with bots. They’ll respect you, your music, and your business. They’ll be realistic. There will be no bulls**t. And no bots. Ever.

You’ve Gotta Be Prepared!

When planning on working with a music PR company, you’ve got to plan ahead so they have ample time to do their thing. And do it well. There is no point in reaching out to a publicist a week before the release date and hoping for a miracle. You want to reach out at least a month or two before so that you can be sure you’re going with the right place and give that place enough time to generate the hype you want. No matter how great your track is, your publicist will need time to plan and execute your tailor-made strategy. There’s no point in paying for a rushed job.

Being prepared doesn’t just mean with your track. Be prepared for the exposure. Think about the bigger picture; focus on the right timing to put to use a music PR company. If it’s your first release, perhaps wait a while until you have a few songs out there to get the digital publicity they will offer you. Then, your newfound fans will have more content to love and stick around. Work on your social media exposure so that your new followers will have more to sink their teeth into. Book a couple of photoshoots so that you have a host of assets for your publicist to offer to online magazines. This doesn’t mean you have to be a perfectly polished artist before you recruit the help of a PR pro, but it will mean the publicity you gain from them will last even longer and run a bit deeper. When paying for your PR, you want it to have the best possible outcome. Having a solid foundation for the music PR company to bounce off will only mean your campaign can reach higher heights than before.

It’s All About The Hype

Music PR is all about building hype. Your upcoming release deserves just as much attention as you put into making the track. Through close connections with playlist curators, radio presenters, and magazine contributors music PR agencies can keep a plate spinning whilst giving you a hand free to focus on all the other aspects of being a DIY musician. Many independent musicians say that in itself is priceless. But, the call is up to you. Perhaps you want to work on your brand a bit more before reaching out or want another couple tracks stacking up your Spotify feed. Or, perhaps you’re ready to take the leap and let a music PR publicist do the heavy lifting for you. Only you as the artist can decide. At the end of the day, there are 60,000 new songs uploaded onto Spotify every day (according to MBW). When you’re ready, utilising the know-how of music PR publicists is a surefire way to not let your release fade into the background.

Put most simply, gaining more followers on Spotify is a two-fold process:

1. Be an artist worth following
2. Send traffic to your Spotify artist profile

Setting out to grow your following on Spotify is just as tricky as growing on social media platforms. In fact, think of Spotify as another social media platform in itself. It really needs working, with strategy and persistence. It feels frustratingly slow at times, and it could be a full-time job in itself! But fear not, we’ve got some bright ideas up our sleeves here at Decent to help you along the way to gaining more Spotify followers.

As with any aspect of your artist career, it’s important to keep your mindset positive, or you risk burning out. We know how overwhelming trying to juggle everything can seem, especially when you’re trying to create the music too! Oh, and please remember that it’s always quality over quantity of numbers. Wouldn’t you rather have a dedicated, cult following over masses of one-time listeners – or even worse, bots – who aren’t that bothered about what you do?

Why Spotify Followers Count

One of the main reasons why Spotify followers are important is that by growing your following on Spotify you’re essentially creating a virtuous circle of support for your music there. Increasing the number of Spotify followers you have can impact your visibility on the platform.

Fast-emerging artist Ren has over 300,000 followers on Spotify after gaining popularity with his viral track ‘Hi Ren’. Though his subsequent releases might not rack up millions, they still have healthy stream counts, no doubt down to this healthy number of Spotify followers.

That’s because the more followers you have, the more likely your profile and music will be recommended to users through algorithms like personalized playlists and radio stations. Followers are notified of your new release via the likes of Music Radar, Discover Weekly and Daily Mix. If you have 100 followers on Spotify, your next release will land on 100 Release Radar Playlists. This means that if you’re consistent with your release schedule you’re going to see an increase in streams for sure.

Spotify Followers versus Monthly Listeners

‘Monthly Listeners’ gives you a snapshot of how you’re doing streaming-wise on a given month. Yet we all know how variable this number is. You might have song land on a major playlist and you’ll see your Monthly Listeners skyrocket, only for this number to drop as soon as you’re off that playlist. Ideally, you’d be converting those listeners into followers, and essentially fans of your music, not just passive listeners. The idea is that these followers then buy your merch, come to your gig, look out for your new music releases etc.

How to be an artist worth following on Spotify

At the end of the day, if you aren’t a product people want to consume, you’re not going to get followers. You need to create a sense of cult and community around your act, so that people feel drawn towards you, and left out if they don’t follow you.

Refine your artist brand

The starting point for creating that community, is always going to be in pairing your great music with a refined artist brand that is easily recognisable, unique and true to you. This can take years to get right, and much easier said than done. Essentially, all of your design and aesthetic elements should function together and build the same overall picture. Applying consistent branding will help market your music as distinguishable from the rest of the artists out there releasing music.

Make your Spotify artist profile look good

Your artist profile on Spotify is a space to connect with your visitors, and capture the attention of those who are curious about you. Any traffic to your Spotify artist profile means potential fans and potential followers, so don’t let this opportunity slip. It’s part of the set-up process for gaining more followers. Not only that, but it makes you look like you’re actually active on the platform and also like a true pro for any industry folks snooping around. Think about the following:

• Verify your profile (distributors can easily sort this if you’re unsure)
• Your artist biography
• Striking press shots and banner
• ‘Artist’s Pick’ playlist or song
• Consider adding any merch to your merch-bar (if you have Shopify)
• Create a playlist & add it to your ‘Artist Playlists’ sections
• Add all your social links

Part of Ren’s appeal as an artist has to be his compelling story, which he tells in great detail across his socials and here in his Spotify artist profile biog. Though a single emoji in your biog might be more you, maybe think about elaborating and telling a story. Just a thought.

Now, let’s look at the varying ways you might send traffic to your Spotify artist profile.

Create & release great music, consistently

Ultimately, Spotify rewards those releasing new music consistently on the platform. Provided that music is also great, which we’re sure is the case, if you’re taking your career seriously. If you are prolific with your music releases – say, a song a month for 12 months straight – you’re going to get a TON more traffic than an artist who puts out one song a year. Being prolific pays of in this industry, so stick to a release calendar. What’s more new music is also fresh bait to draw people from other platforms too, both organically and if you choose, via ads. Which leads us on nicely to the following…

Sending traffic to your Spotify artist profile

It doesn’t matter if you’re ‘followable’ if no-one is finding you in the first place, right? So let’s look at various ways you can encourage people to visit your Spotify artist profile.

1. Organic off-platform traffic

Secure Press coverage

Securing press coverage online is a fantastic way to reach new audiences.

Connect with other artists

Playlists: Create your own playlists featuring not only your music but also songs from other artists in your genre. This can showcase your taste and connect you with fans of similar music.

Collaboration: co-writing or releasing a track

Engage potential Spotify followers on social media

Promote your music and Spotify profile on your social media platforms. Share behind-the-scenes content, updates about upcoming releases, and interact with your followers to build a strong online presence. Respond to comments, messages, and interactions from your listeners. Building a connection with your audience can turn casual listeners into dedicated followers.

Collaborate with influencers or brands

Collaborate with Influencers: Identify influencers or bloggers in your niche who can help promote your music. They can introduce your music to their followers, which can lead to more Spotify streams and followers.

“Follow us on Spotify”

Shout-out about your Spotify profile everywhere you can – be that on your website, at your live shows, in your mail-outs, everywhere.

2. Ads-based traffic

The idea here is that you run ads from another platform (usually Meta, for Facebook and Instagram) to your Spotify artist profile, or perhaps to a landing page inviting them to follow you. It’s also worth taking a look at Tiktok ads. Make sure to continually refine your targeting in order to run the most effective ads. You’ll then want to incorporate retargeting and lookalike audiences that can cut your costs down further. It can be a lot of work, but it’s worth it if you can find something that works out for you.

Whilst running ads might seem expensive at first, they end up being pretty predictable. With a few hundred quid a month, you can probably expect to get between 50 and a few hundred followers per month, which is kind of cool.

3. On-platform traffic

This final method involves directing people who are already on Spotify to your artist profile.

Get Spotify followers via playlist placements

Pitch Your Music to Curators: Submit your tracks to independent playlist curators who have a following. If your music gets added to their playlists, it can help you gain exposure to a broader audience.

Run ads directly on Spotify to get more followers

Running Spotify ads for musicians can be an effective way to promote your music and grow your fan base on the platform.

The coolest ads format has to be Marquee, which is where you can show interested people a pop-up that’ll take them straight to your new release. Marquee is a great music recommendation tool that doesn’t look like an intrusive advertisement. Whether they turn to followers is up to them of course, but if they’re sold enough by you then they will. However, you need more than 5,000 streams over the past 28 days or more than 1,000 followers, so it’s not really an option for those just starting out.

On a per-click basis, Spotify ads are generally more expensive than off-platform ads, but they tend to generate more valuable clicks (since users are already on Spotify, so they’re less likely to drop off). Remember that running any ads are just one part of a comprehensive music promotion strategy.

Final thoughts: Spotify Followers in 2023

Make Use of Spotify for Artists

Spotify offers a platform called Spotify for Artists, where you can access data about your streams, followers, and engagement. This information can help you tailor your strategies and track your progress.

Quality Over Quantity of Spotify Followers

Whilst numbers are nice but it’s all about quality of quantity of your Spotify followers. It’s super important to note that while follower count is a valuable metric, genuine engagement and connection with your audience, across Spotify and socials alike, are ultimately more meaningful. It’s better to have a smaller, engaged fan base than a large number of inactive followers.

One indispensable tool in any musician’s kit is the EPK. A word often thrown around by music industry pro’s, publicists and managers, the term ‘EPK’ is a little confusing for many, especially those newer to the industry. If that’s you, then fear not as we’re here to cast light on this mystery term, why it’s used and even more importantly, how to make one.

What Is An EPK?

Let’s start with the basics. What is an EPK? Quite simply, EPK stands for Electronic Press Kit. Emerging talent (from new bands, to solo artists and everything in between), will find that having an electronic press kit is a great way of collating all of their promotional materials in one space.

What Is An EPK Used For?

As an independent musician releasing music in an over-saturated industry, an EPK helps you to cut through the noise. If you’re an artist looking to attract the attention of press, radio stations, playlist curators, collaborators, event organises, managers, labels and more, then having an electronic press kit is the best way of firing over your artist information to them.

What To Include In Your EPK

So you have a ton of press shots, song releases, and career highlights (if you’re lucky). And yet, collating that information is key. That means being selective. Otherwise, your EPK is going to be overkill, and it might be side-lined by busy music pros who simply don’t have time to check yours out.

Organize your EPK into sections to make it easy for recipients to find the information they need. Write compelling and concise descriptions for each section. Use a professional tone and highlight key achievements, unique selling points, and any relevant background information.

Common sections include:

• About: Artist/band biography and background information.
• Music: Showcase your best tracks or music samples.
• Videos: Embed or link to music videos, live performances, and interviews.
• Photos: High-quality press photos in various poses and styles.
• Press: Include press releases, interviews, reviews, and news articles. You might tailor your EPK to include info about your latest, upcoming single or tour. This would be a good use of an EPK, for sure.
• Tour: List past tour dates, upcoming shows, and notable performances.
• Contact: Provide contact information for booking, management, and public relations.
• Media Files: Ensure that all media files (photos, videos, music) are of high quality and easily downloadable. Provide different formats (e.g. JPEG for photos, MP3 for music) to accommodate different needs.

What Is An EPK? – EPK Examples

In a digital age, having a press kit to hand that’s easy to include in a DM or email is the way forward. Gone are the days of sending off CD’s and info to label execs or PR companies via post. Not only is it more environmentally-friendly to host your press kit digitally, it is hands down the most welcomed format by industry pro’s these days. It’s also cheap for independent artists to create, and super simple to send out. What’s more, you can collate all of your information in one place in a format you can choose and control at the click of a button, editing as and when you have new music coming out, or an upcoming tour on the horizon. Where you choose to create and host your EPK is entirely down to personal preference. Let’s look at some different EPK examples by format.

What Is An EPK? – Website-hosted EPK example

Your own website

At Decent, we’d recommend creating and hosting your EPK on a private a page on your website that’s only accessible to those with a link to it. On this page, you can then create your EPK with the functionality to embed audio and video players. You could have a special password, giving a sense of exclusivity to your EPK.

Host websites

Alternatively, you can use EPK-specific online platforms that offer templates and customization options, allowing you to create your Electronic Press Kit on their site. This can be good if you don’t have your own website or don’t want to go through the effort of designing one there. These EPK-hosting platforms include ReverbNation, Sonicbids and Bandzoogle.

What Is An EPK? – PDF-download EPK example

You can create your EPK using graphic design software like Adobe InDesign or Canva and send it out as a pdf download. Some of the above sites also allow you to automatically download in PDF format.

What is an EPK versus a ‘press release’?

You may have heard the term ‘press release’ thrown around too. A press release is a subset of an Electronic Press Kit rather than something similar. It’s the text that explains your latest project or news. You could include this within your EPK if you so wish, especially if you’re sending out your press kit to promote an upcoming release. Perhaps you might even include a downloadable copy of your latest press release in PDF form, hosted on your Electronic Press Kit.

In fact, tailoring your EPK towards your latest project or news is a great way of making use of an EPK. You can edit your press kit to include information each time you have a new release or upcoming tour for instance.

Top 3 EPK Essentials

1. Make Your EPK User-friendly

Whichever Electronic Press Kit format you choose, make sure it’s user-friendly. Think about striking that balance between something that is visually appealing and on-brand, yet that is also clear and easy to digest for the recipient.

2. Keep Your EPK Up-to-date

This leads to our final point… make sure to keep your Electronic Press Kit up-to-date. As you achieve new milestones, release new music, or have new press coverage, make sure to update your EPK accordingly.

3. Ensure Your EPK Is On Brand

The bottom line is to curate your EPK carefully. Think about what you’re including, and how you’re presenting that information. Which fonts, colours, photos are you using? Are they on brand and easy-to-read? Remember that your EPK is a representation of your brand, so invest time and effort into creating a professional and engaging package that accurately showcases your talents and accomplishments.

You’ve got this… Now go and get yourself some attention!

At Decent Music, we encourage all our artists, and everyone that we speak to, that you are right to approach any marketing of your music with some level of skepticism. Music PR and promotions can certainly be a murky world, and there are lots of companies out there that always seem to offer a ‘big discount’ and promise  large streaming numbers for a quick one-time purchase. A lot of this is facilitated by using fake streams from bot farms, or users that are paid small amounts to stream songs multiple times. This is never going to really help you to find new fans, engage with real listeners or ultimately progress you in your music career.

We get it, the music industry is full of people that promise the world and deliver very little. We started Decent Music PR because we are a team of artists, producers and music lovers, and we are tired of shady practices, scammy bot streams and broken promises.

We created this article to provide a fully transparent, behind-the-scenes look into Decent Music PR, who we are, what we do and we are different from these scam companies.

Who We Are and Why We’re Different

Our founders, Anna Stephens and Alfie Cattell are both artists in their own right. Anna is an accomplished music journalist and has an incredible knowledge of the world of press, and Alfie is an established music producer and has, and continues to, work with major labels and successful artists on music. The whole of the Decent Music PR team are either artists themselves, come from a management background, or otherwise have worked in the industry – it’s a core value of Decent’s that we always look for team members with an actual passion for music, and with understanding of the industry and what’s really going to help artists to reach their goals.

We are ‘By Artists, For Artists’ – but what does that mean? It means that we really understand the struggle, we understand how much energy, passion and effort goes into creating your music – but so many artists then don’t have time, energy or budget left to invest in the promotion and release of their artwork. Without a release strategy that is defined by your goals, and your own skills, releasing can really feel like dropping your art into a big black hole and hoping that you see it rise back, and we want to help guide you with up to date information, campaign ideas, and advice on when the right time to invest in which services is right for you.

Many PR’s and music marketing agencies are out for your money, and it’s completely key to our mission that we are not just someone else looking for a quick buck and take away from your recording budget. Our services are set up as paid packages and the reason for this is that we don’t want to take ownership of your music, we believe in owning your own masters – but more importantly we don’t want to tie you into any difficult contracts – our services have a clear beginning, middle and end.

Our Vetting Process: Why We Don’t Accept Everyone.

Our whole business is built on reputation and building lasting relationships with real tastemakers, playlisters, journalists, outlets, radio presenters, and artists. Therefore, our word is important to us – we only work with artists and music that we genuinely believe in, and know that we can actually effectively help to promote. This is why we don’t accept all music, and is why we reach out to artists directly. Our Artist Liaison team spends a lot part of each day actually listening through music and finding contact details for the music and artist that they come across that they like.

So why have I got an email from Decent Music PR? If you have been reached out to by someone from Decent Music directly about your music, then our team has found you through Spotify, Soundcloud or their local networks and wants to speak with you about your release plans. You are NEVER obligated to buy anything from us, and it’s an important part of our process to get to know you and your goals as an artist before just pitching you our services.

We do also get a lot of submissions from our website and from other sources too, and for these submissions, we guarantee that we will always take the time to listen to your music. We are looking out to hear the quality of the overall mix, the skill of the songwriter, the marketability, and somewhat most importantly where you music fits (or doesn’t) with our existing relationships and catalogue. If we like your music and know that we have the reach to help you out, or just need to know more, this is when our team will reach out directly to you to book a call in to get to know you more, and help to define your goals for the future with your music, and your ‘brand’ as an artist.

Our commitment to being selective ensures that we work exclusively with artists that we really believe in, and are confident in our ability to help. We will never try to sell anyone a service that won’t help them.

Industry Red Flags, and How Decent Music PR Avoids Them

Red Flag 1: Music promotion companies using bots to get you streams.

Let’s be clear, bots are a scam and do nothing but damage to your music promotion. A lot of playlisting services where you get just pay for one-size-fits all ‘cheap’ package rarely involve bot streams, and even paid-to-listen human streams which also don’t find you new fans or help streaming services algorithms learn who exactly to push your music to.

Decent Music does not use bots, or buy streams for any campaigns. Our Playlisting campaigns involve humans pitching to real tastemakers and playlist curators. Weekly we quality check all the playlists on our roster and we ensure playlists are not botted. One way that we do this is by using Chartmetric to check on the playlist traffic to ensure that it is all natural. We partner with Chartmetric and are happy to offer a three month free trial to the software, and any of our team would be happy to show you how to check this on a call! If you want to make the most of this free trial, or check if your music is in any botted playlists, please sign up here.

Red Flag 2: Music PR companies offering quick, low-quality placements.

Sadly – Ill timed, or low quality PR is not going to suddenly provide you with a new fan base, and landing on irrelevant blogs that no one reads will do nothing for your career. And that’s not what Decent Music PR is about.. We focus on high quality press, telling the story that you want to tell, and at a time that’s really helpful for your goals.

By working in Music Publicity as publishers, and artists, for years we have built strong relationships with respected curators, tastemakers, and media outlets and this means that when we pitch your music, it’s going to the right people. We’ve secured coverage in top-tier platforms like CLASH, Notion, Wonderland, Billboard, Complex and placements on high quality publishers, as well as help to create buzz using reputable mid-tier blogs too. These placements are not just a vanity spot, they’re the kind of features and playlists that give your music credibility and real visibility.

Publicity and Press are very rarely going to equate to a noticeable change in streaming numbers, but it is an incredible tool to help with building your credibility when looking to secure festival spots, more gigs and shoes, label interest and much more. When linking to articles in your EPK, this is a massive SEO and credibility win.

Red Flag 3: Overpriced PR companies with low quality results

As artists, we get it. When you are an independent artist, every penny counts. But here’s the thing.. Pouring your heart, soul and budget into recording and perfecting an album and then not investing in some sort of promotion plan to get that music to the right ears is the sad reason that there’s so much brilliant music that never gets the recognition that it deserves.

A typical campaign with us isn’t just a quick automated pitch and email blast. It’s hours of researching and pitching to the right curators, building on years of trusted relationships, writing tailored press releases, chasing follow-ups, and constantly keeping momentum going. That’s work done by a real human expert that would take you weeks, even months to even attempt on your own, and without our network, it’s a lot harder to get a reply, let alone a placement.Breaking our pricing down, it is fair for the amount of time, strategy, expertise and energy put in. We have built systems and connections that are difficult to replicate solo and that’s where the real value is. You aren’t just paying for placements, you’re paying for us to join your team and bring our experience, credibility and results.

Compared to other Music PR companies, we are reasonably priced, but we certainly aren’t the cheapest out there, and we don’t want to be. Cheap usually means fake streams, botted playlists, automated services you can do on your own, and ultimately wasted money. At Decent, you are paying for real targeted campaigns for real growth that lasts. 

Tyler put’s it well here (if the video’s not showing, please make sure to accept the sites cookies):

Proof is in the pudding, here’s our Real, Recent Reviews

A lot of companies say that they’re real but don’t have much to back it up with – here are some recent reviews on our Google Reviews (see here), and Trustpilot reviews, please feel free to take a look for yourself:

At the end of the day, Decent Music PR exists for one sole reason: we want to help artists grow in an honest, transparent and meaningful way. We are not here to help with impactless quick wins, fake streams and empty promises – we are here to support your musical journey with integrity and music that we really believe in.

If you are interested in talking to a Music PR company that are only looking to help artists define and achieve their goals, that’s exactly who we are. Feel free to check out some of our case studies to see how we have helped other artists with their release plans. And if you are ready to speak to someone about your own music’s release plans, you can reach out through our submission form directly here.

We would love to hear from you, and listen to your music to see if and how we can help you take the next step in your career. Please submit your music here and we will be in touch!