Author: Danielle Holian

LISTEN HERE | DOWNLOAD ALBUM | MEDIA ASSETS

A powerful celebration of self-reclamation, queer identity, feminine rage, healing, and empowerment through the immersive world of shamanic pop.

Swiss queer singer-songwriter Mané announces the release of her highly anticipated second project, The Goddess in the Room, arriving June 2, 2026, via Livana Music. Blending haunting electronic pop with ritualistic shamanic elements, the nine-track album invites listeners on a transformative journey of self-discovery, healing, and radical empowerment.

Following years of artistic evolution, personal transformation, and a growing reputation as one of Switzerland’s most distinctive emerging voices, Mané has crafted an album that feels both deeply intimate and universally resonant. Drawing inspiration from artists such as AURORA, Eivør, Billie Eilish, Kiki Rockwell, and Roniit, The Goddess in the Room introduces a sound she defines as “shamanic pop”—a genre where atmospheric electronic production meets ancestral rhythms, intuitive songwriting, and the grounding pulse of the shamanic drum.

“At its heart, this album is about remembering who we are beneath the conditioning, the fear, and the expectations placed upon us,” says Mané. “It’s about reclaiming our bodies, our voices, our intuition, our identities, and our power. The Goddess is not someone we need to become—she is someone we have always been.”

Across nine powerful tracks, The Goddess in the Room follows the symbolic journey of The Goddess as she awakens to her own strength. Along the way, she reclaims her body and her rights, embraces her queerness, confronts inherited trauma, honors her ancestors, and dismantles the systems that seek to silence her. Ultimately, she discovers that the validation and power she sought externally had been within her all along.

The album explores themes that have become central to Mané’s artistic identity, including bodily autonomy, feminism, LGBTQ+ rights, mental health, ancestral healing, spirituality, and self-acceptance. It balances moments of fierce resistance with celebration, sensuality, vulnerability, and joy.

While Mané first emerged through a more conventional pop sound, several periods of burnout prompted a profound reassessment of her relationship with music and mental health. During this time, she discovered the shamanic drum, an instrument that would fundamentally reshape her creative process and artistic vision.

The result is a sonic universe where emotionally charged vocals intertwine with atmospheric synths, ritualistic percussion, and intuitive soundscapes. Each release within the project extends beyond music alone, becoming part of a larger immersive world of visuals, symbolism, ceremony, and community-centered experiences.

“Everything I create is designed to help people reconnect with what feels sacred within themselves,” Mané explains. “I want listeners to feel seen, heard, loved, and empowered—to celebrate their uniqueness, trust their intuition, and remember their own inner wisdom.”

Since 2014, Mané has performed extensively throughout Switzerland and internationally, appearing at renowned venues and festivals including Montreux Jazz Festival, Southbank Centre (London), Hotel Café (Los Angeles), and Threshold Festival (Liverpool). She has shared stages across Europe during a tour with Marzella, with performances in Paris, Berlin, and Amsterdam.

Her debut EP, Before the Storm, was fully crowdfunded by her audience and produced by Meya Music, whose credits include Slimane and Florent Pagny. The release received significant radio support across French-speaking Switzerland, earning airplay on Option Musique, LFM, One FM, Rhône FM, and Radio Swiss Pop. It also secured Mané a place among the Top 15 finalists of the prestigious Demotape Clinic at m4music.

Additional career milestones include serving as the lead voice of Coop Switzerland’s nationwide Christmas campaign, being shortlisted among finalists for Switzerland’s Eurovision Song Contest selection, releasing the mental health-focused single High On Flowers, launching a companion podcast supporting womxn artists, and performing once again at Montreux Jazz Festival in 2024.

In 2025, Mané signed with Zurich-based label Livana Music and was selected for Proxima, the artist development program at Les Docks.

To celebrate the release of The Goddess in the Room, Mané will perform special launch concerts at:

June 3, 2026 — Les Docks, Lausanne, Switzerland
June 5, 2026 — The Waiting Room, London, United Kingdom

Performing alongside HEMU Lausanne graduates Gwen Buord (electronic drums) and Mathieu Nuzzo (keyboards), Mané’s live show combines electronic pop performance with ritualistic shamanic drum elements, creating an immersive experience that is both emotionally powerful and deeply personal.

Tracklist

1. The GODDESS in the Room
2. perles de sang
3. sappho
4. )O(
5. moonstones
6. j’serai tjr là
7. chocolate con sangre
8. Witches
9. ALIGNED

About Mané
Mané is a Swiss queer singer-songwriter and creator of shamanic pop. Through music, ritual, and immersive storytelling, she creates spaces for empowerment, healing, and self-expression. Her work explores themes of womxn’s rights, bodily autonomy, mental health, queerness, spirituality, and ancestral connection, encouraging audiences to reconnect with their authentic selves and reclaim their inner power.

Upcoming Gigs:
JUNE 3rd – Les Docks, Lausanne (CH)
JUNE 5th – The Waiting Room, London (UK)

JUNE 27th – Basel Pride, Basel (CH)|
JULY 25th – Garden Parties, Lausanne (CH)
AUGUST 6th – Zurich Music Week, Zurich (CH)
AUGUST 15th – Château Festival, Bourgogne (FR)
AUGUST 29th – Festival Rikiki, Neuchâtel (CH)

Find Mane:
Instagram, TikTok, YouTube, Spotify, Website

Notes to Editors:

The GODDESS in the Room:

Sappho Music Video:

Photo Credits: David D’Agostini – https://www.instagram.com/david_dagostini/, https://david-dagostini.com 
Album Songwriters: Mané Bischof, Gwenolé Buord, Mathieu Nuzzo, Djamel Cencio, Anna Anton-Borkenhagen
Album Producers: Gwenolé Buord, Mathieu Nuzzo, Djamel Cencio 
SAPPHO only: Songwriters: Mané Bischof, Gwenolé Buord | Producer: Gwenolé Buord

LISTEN HERE | DOWNLOAD SONG | MEDIA ASSETS

Norwegian alt-pop artist MIIA steps into a striking new chapter with her latest single, “Necessary Evil,” a dark, emotionally charged track that merges her cinematic vocal identity with a fresh, club-driven electronic sound. Known for her raw, haunting voice and deeply introspective songwriting, MIIA now channels that intensity into the late-night pulse of a dance-pop / UK garage crossover, with speed garage, and bassline.

Produced by Joachim Rygg (JR), the same collaborator behind her global breakout hit “Dynasty”, and mixed by legendary engineer Spike Stent, “Necessary Evil” captures the tension between vulnerability and strength, desire and self-respect. Built on skittering 2-step drums, punchy sub-bass, airy pads, and bright chopped vocal textures, the track is both euphoric and emotionally unfiltered.

Lyrically, “Necessary Evil” explores the courage it takes to choose honesty over comfort. It speaks to those pivotal moments where the right decision feels difficult, misunderstood, or even painful, but ultimately necessary for growth. It’s a song rooted in emotional truth, set against the hypnotic energy of the club.

The release marks a significant evolution for MIIA, bridging her atmospheric pop roots with a more uptempo, dancefloor-oriented sound. While her music has long resonated for its emotional depth, “Necessary Evil” introduces a new dimension, one designed for late-night playlists, dance radio, and immersive live experiences.

MIIA first rose to international prominence at just 17 years old with her debut single “Dynasty.” Premiering on Billboard in 2016, the track quickly gained global traction, landing on Spotify’s New Music Friday and climbing to #2 on the United States Viral 50 chart. Within 23 days, it surpassed one million streams, and nearly a decade later, it continues to resonate with audiences worldwide, now averaging approximately 200,000 daily streams and surpassing 300 million total plays.

Over the past two years, MIIA has been crafting her highly anticipated debut album, “Huldra,” set for release in Summer 2026. Named after the mystical forest spirit from Scandinavian folklore, the album draws on themes of self-love, freedom, and the shedding of shame. It invites listeners, especially women, to embrace complexity, emotional depth, and imperfection, celebrating what it means to feel deeply and live unapologetically.

At the heart of MIIA’s artistry is her close relationship with her audience, whom she calls her “Beautiful Creatures.” Through daily interactions across social media, livestreams, and direct messages, she has cultivated a deeply connected community, one that embraces duality, vulnerability, and authenticity. Her artistic universe is a safe, inclusive space where contradictions coexist and emotional honesty is encouraged.

“‘Necessary Evil’ feels like a defining moment for MIIA; it’s where her emotional depth collides with a bold, club-ready sound. It’s honest, it’s vulnerable, and it marks the start of a powerful new chapter in her artistry,” shares music publicist Danielle Holian, Decent Music PR.

With “Necessary Evil,” MIIA signals not only a sonic shift but the beginning of a powerful new era, one that expands her sound while staying rooted in the emotional core that first captivated listeners around the world.

Connect with MIIA: Spotify, Website, Instagram, TikTok, Youtube, Facebook

// ENDS //

Notes to Editors:

For fans of: emotional UK garage and alt-pop, blending the sounds of modern electronic pop with raw, introspective storytelling.
Genres: UK Garage / Bassline, Speed Garage, Dance-Pop, Electronic Pop

Streaming link: https://open.spotify.com/track/37FvFpfxGrdiOnz32HnhyR?si=a2a0c430ff7c465e 

A genre-blending collection inspired by rock and roll legends, personal reflection, and the inevitability of transformation

Singer-songwriter Katie Dauson proudly announces the release of her eighth studio album, Change, a vibrant and eclectic collection of songs that explores transformation, self-reflection, love, and the power of embracing life’s uncertainties.

Hailing from Richmond Hill, Ontario, Katie Dauson has built a dynamic career as an independent artist whose music has been featured in notable publications including Earmilk, Tinnitist, and Sonic Sisters Magazine. A familiar presence throughout Toronto’s music scene, Dauson has performed at notable venues while carving out a path that emphasizes artistic sophistication and musical growth beyond traditional pub culture.

Produced and engineered once again by longtime collaborator James Nickle, Change showcases Dauson’s evolving artistry through an inspired blend of pop, rockabilly, classic rock and roll, folk influences, and heartfelt balladry.

“This whole album is about change, and being able to accept and deal with the consequences of all the changes around us,” says Dauson.

The album opens with its title track, “Change,” a song that transformed alongside Dauson’s own creative process. Initially conceived as an acoustic folk piece, the track evolved into a pop and synth-inspired anthem that ultimately became both the album’s title track and opening statement.

Throughout Change, Dauson draws inspiration from an impressive range of musical influences and vinyl discoveries. “You Say You Want Me” channels modern rockabilly energy inspired by Blondie’s Parallel Lines, while “Life in a Day Dream” blends 1960s-style rock and roll with influences from The Lovin’ Spoonful and Hall & Oates, inspired in part by Hall & Oates’ “You Make My Dreams Come True.”

Dauson’s love for classic instrumentation shines on “Saxophone Fever Blues,” a tribute to the expressive power of saxophone-driven rock and roll inspired by Fats Domino and his legendary live performances. Meanwhile, “We Could Go Dancing,” written during a late-night bout of insomnia, delivers a heartfelt rock ballad influenced by Bob Seger’s Against the Wind.

The album continues its stylistic journey with “Sing the Blues Away,” an uplifting sing-along inspired by The Marshall Tucker Band, and “Ballad of Medusa and Olivar,” a reworked and deeply personal song shaped by the songwriting traditions of Bob Dylan and Electric Light Orchestra, centered on themes of love and redemption.

On “I’m Feelin’ Groovy,” Dauson embraces the spirit of 1960s rock and roll with a celebration of music and joy, while “Lay Me Down” offers an intimate acoustic love ballad born from a moment of emotional vulnerability and inspired by classic Beatles songwriting.

Closing the album is “Mamma Bear Shuffle,” a playful, Dylan-inspired finale sparked by Blonde on Blonde and designed to leave listeners on an energetic and unexpected high note.

With Change, Katie Dauson continues to push her creative boundaries while staying rooted in the timeless musical influences that shape her sound. The result is an album that feels both nostalgic and refreshingly personal; an honest reflection on change itself and the resilience required to navigate it.

Change Track Listing
Change
You Say You Want Me
Life in a Day Dream
Saxophone Fever Blues
We Could Go Dancing
Sing the Blues Away
Ballad of Medusa and Olivar
I’m Feelin’ Groovy
Lay Me Down
Mamma Bear Shuffle

NOTES TO EDITORS:

Produced and engineered by James Nickle
10 songs, 40 min 21 sec

French singer-songwriter Sylvain Zebo returns with his latest single, “Test,” a sophisticated and atmospheric track that merges French Pop and Pop Rock influences with introspective lyricism and cinematic textures.

Drawing comparisons to iconic French artists such as Alain Bashung, Marc Lavoine, and Etienne Daho, “Test” showcases Zebo’s signature fusion of poetic songwriting, emotional nuance, and refined production.

Built around shimmering synths and a hypnotic chorus guitar riff, “Test” evolved organically during the creative process. “I composed the synth parts with the piano, but it was when I found the guitar riff for the chorus that everything became fluid and ethereal,” explains Zebo. “The lyrics were added later, reflecting on the ups and downs of life, passions, feelings, and love, along with our often dehumanized experiences.”

Entirely self-produced, the single highlights Sylvain Zebo’s multifaceted artistry. He serves as producer, songwriter, arranger, and sound engineer, crafting a deeply personal soundscape that feels both intimate and expansive.

Sylvain Zebo is a singer-songwriter rooted in the tradition of French lyric-driven chanson. Martinican by heritage, he was born in Madagascar before growing up in Lescar near Pau in the south of France. Inspired in his youth by Neil Young and Georges Brassens, he learned guitar and went on to perform in various rock and blues bands while developing his own songwriting voice.

After moving to Paris, he fully committed himself to music, studying singing and piano while performing live with guitar and vocals. His debut album, “Consacre Moi,” was recorded near Cincinnati in 2010 with acclaimed American musicians and financed through the pioneering fan-supported platform Sellaband.

Over the years, Zebo has continued to evolve artistically while maintaining full creative independence. His albums “Masque” (2013), “Longitudinal” (2016), “Fortunes” (2019), and “Enveloppe” (2023) have explored acoustic songwriting, sophisticated pop textures, and emotionally charged atmospheres. Since 2018, he has also performed regularly in Montreal alongside renowned Canadian musicians.

With “Test,” Sylvain Zebo once again delivers a song that is both elegant and emotionally resonant — a modern French pop statement balancing vulnerability, melody, and sonic sophistication.

“Test” is available now on all streaming platforms.

FIND SYLVAIN ZEBO:
INSTAGRAM, FACEBOOK, TIKTOK, SPOTIFY

FOR MORE INFORMATION PLEASE CONTACT
Danielle Holian | danielle.holian@decentmusicpr.com 

NOTES TO EDITORS:

Run time: 4 minutes, 58 seconds
Genre: French Pop / Pop Rock
Similar Artists: Alain Bashung, Marc Lavoine, Etienne Daho

LISTEN HERE | MEDIA ASSETS

“…your art connects in a genuine and human way with the listener.” – Mellow Strings Club

“An absolute jam! (Fly Away)” – Music Glory

“…sombre guitar tones, slow-building rhythm, and emotional depth (Letter to You)” – MBTI Music

Intimate songwriting, evocative storytelling and growing streaming success position Jonah as a compelling new voice in contemporary UK folk music.

With a growing catalogue of heartfelt songs and an expanding audience, eighteen year old, UK singer-songwriter Jonah Connock is emerging as one of the most promising new voices in the modern folk landscape. His debut album, I Kept Your Secret, Saoirse, has already garnered almost 11,000 streams and attracted more than 2,400 monthly listeners on Spotify, reflecting a growing connection with audiences drawn to honest, emotionally resonant songwriting.

Blending introspective lyricism with contemporary indie textures, Jonah’s music explores themes of connection, loss, resilience and hope. His songs are built around expressive guitar work, understated arrangements and a vocal delivery that favours nuance over volume, creating an intimate listening experience where storytelling takes centre stage.

“With a voice that invites you closer and warm, expressive guitar work, Jonah’s songs unfold with a quiet confidence, blending reflective storytelling with melodies that feel both intimate and timeless.”

In live performance, Jonah creates an atmosphere where songs are allowed to breathe, drawing audiences into carefully crafted narratives through stripped-back arrangements and deeply personal songwriting.

The album marks a significant milestone in Jonah’s artistic journey, bringing together eight carefully crafted tracks that trace his development as a songwriter while capturing the emotional depth that has become his signature.

Tracklist

1. Letter to You
2. Bones
3. Black Dress
4. Tongue-Tied
5. Fly Away
6. I Hope That I Don’t Fall in Love with You
7. Half-Awake
8. Clandestine

Reflecting on the release, Jonah says, “It’s a surreal feeling to be releasing music and announcing my first studio album. Writing and recording involves a lot of hard work. There are days when you don’t think the song is ever going to take shape or your voice just can’t make the notes. My notebooks are full of half-written lyrics and ideas that may never make it off the page. Working with Adam and Lawrence Purnell to produce the album was amazing – heading into the studio, I thought my songs were finished, but every session bought learning and laughter – and their ideas really helped elevate the songs. I hope you love listening as much as I loved making the album.”

The collection opens with “Letter to You,” the first song Jonah ever wrote, born from a challenge set by his guitar teacher and ultimately becoming the catalyst for the album itself. Across the record, listeners encounter deeply personal reflections, from the poignant vulnerability of “Bones” to the atmospheric storytelling of “Black Dress” and the confessional intimacy of “Half-Awake.”

The influence of Cornwall’s dramatic coastline runs throughout the album, with its shifting tides, storms and seascapes informing both imagery and mood. These settings provide a backdrop for songs that balance melancholy and hope, creating a body of work that feels both personal and universally relatable.

The album closes with “Clandestine,” a song Jonah describes as being about “time passed and the feeling of perpetual possibility”, a fitting conclusion to a debut that looks back with reflection while firmly setting its sights on the future.

As I Kept Your Secret, Saoirse continues to find new listeners, Jonah Connock is establishing himself as an artist whose understated approach and emotional honesty offer a refreshing perspective within contemporary folk music.

About Jonah Connock

Jonah Connock is a UK-based singer-songwriter whose music combines stripped-back acoustic arrangements, expressive guitar work and thoughtful lyricism. Drawing influence from folk traditions while embracing modern introspection, his songs explore connection, memory, resilience and hope. Through intimate recordings and captivating live performances, Jonah creates music that invites listeners to pause, reflect and connect.

Connect with Jonah Connock: Spotify, Instagram, YouTube, Website

// ENDS //

Genre: Singer-Songwriter / Folk
For Fans Of: Nick Drake, Jacob Slater, Elliott Smith and Neil Young
Length: 8 songs, 31 minutes, 55 seconds

Press Contact:
Danielle Holian – Decent Music PR | Email: danielle.holian@decentmusicpr.com
Website: www.decentmusicpr.com | Telephone/Whatsapp: +44 (0) 204 572 2260
Reviews: TrustPilot, Google Reviews

LISTEN HERE | DOWNLOAD SONG | MEDIA ASSETS

Danish producer FAVNA returns with his latest single, “Not A Dream,” a deeply emotive and immersive entry into the world of dreamy progressive house. Known for crafting atmospheric soundscapes that balance introspection with subtle dancefloor energy, FAVNA continues to refine his signature sound; one rooted in warmth, texture, and emotional clarity.

“Not A Dream” was conceived over a series of warm summer nights, driven by the intention to create something immediate and emotionally direct. Inspired by the stripped-back, hook-focused approach of contemporary melodic house, the track centers around a reimagined vocal, treated not as a traditional topline, but as an instrument in itself. Carefully reshaped and harmonically refined, the vocal drifts through the track with a soft, intimate presence.

The production process began quickly, capturing an initial spark of inspiration, before evolving through detailed refinement. The result is a track that preserves its original feeling while gaining depth and nuance, sitting delicately between nostalgia and clarity. Every element revolves around a singular emotional core, allowing listeners to experience both stillness and movement within the same sonic space.

FAVNA’s music has steadily gained recognition within the melodic and progressive house scene, earning support from respected artists and platforms. His releases have been featured on internationally renowned radio shows and have accumulated over 700,000 streams across platforms. With a sound that blends warm analog textures, subtle dub influences, and melancholic undertones, FAVNA continues to carve out a distinct identity; one that exists somewhere between late-night solitude and understated club moments.

Beyond production, FAVNA maintains a cohesive artistic vision, pairing his sonic output with a consistent visual identity inspired by nature, nighttime atmospheres, and introspective moods. He is also the curator behind the “Dream Circuit” playlist series, spotlighting emerging and established artists within the melodic and progressive electronic space.

With “Not A Dream,” FAVNA invites listeners into a space where emotion leads and sound follows; an understated yet powerful addition to the evolving landscape of melodic electronic music.

Connect with Favna: Instagram, SoundCloud, Spotify, YouTube, Linktree

//ENDS//

Notes for Editors:

Credits
Artist / Producer: FAVNA
Songwriter: FAVNA
Additional Vocal Processing & Arrangement: FAVNA
Mastering: Nicky Howard
Genres: Progressive House, Melodic House, Deep House (Atmospheric / Chill-leaning)

FFO: Fejka, Polarøit, Klur, Massane, Rezident

Press & Radio Support Highlights
“Let The Skye” — Featured on Purified Radio
“Lose Control” — Featured on VONYC Sessions
“Raindrifting” — Featured on Purified Radio
“Raindrifting” — Featured on SOAR Show
“Let The Skye,” “Raindrifting,” and “Reach For Me” — Featured on REYSSR Sessions

Additional airplay across curated mixes and radio platforms

Press Contact:
Danielle Holian – Decent Music PR
Email: danielle.holian@decentmusicpr.com
Website: www.decentmusicpr.com
Telephone/Whatsapp: +44 (0) 204 572 2260
Reviews: TrustPilot, Google Reviews

LISTEN HERE | ARTWORK

Following the success of his debut single ‘Fly Away’, Peter DiMaggio returns with his latest single ‘Chasing A Trace’.

Following the warm reception of his debut single Fly Away, award-winning actor, composer, and multi-instrumentalist Peter DiMaggio returns with his captivating new release, “Chasing a Trace,” the second single from his forthcoming project and the latest release through emerging independent label Passeri Records.

Bittersweet yet hopeful, “Chasing a Trace” showcases DiMaggio’s gift for pairing intimate storytelling with lush, organic instrumentation. Built around layered acoustic guitars, evocative slide guitar, and a wistful trumpet performance reminiscent of jazz icon Chet Baker, the track invites listeners into a reflective landscape of longing, memory, and emotional resilience. DiMaggio’s warm, conversational vocal style balances easy-listening charm with deeply personal lyricism, drawing inspiration from artists such as Jack Johnson and Ethan Tasch while establishing a voice distinctly his own.

Recorded and produced across Boston, Los Angeles, and Europe, “Chasing a Trace” represents a significant creative milestone for the Ohio-born artist, who continues to expand both his musical and theatrical careers.

“This song lives in that space between holding on and letting go,” says DiMaggio. “It’s about searching for pieces of something that once felt important, while learning to move forward with hope. Working with an incredible team across different cities and countries helped bring that feeling to life in a way I’m really proud of.”

Born and raised in Columbus, Ohio, DiMaggio is a self-taught musician proficient in piano, guitar, bass, ukulele, harmonica, and numerous other instruments. His artistic journey has seen him excel across multiple disciplines, earning acclaim both on stage and in the studio. After studying at the Interlochen Arts Academy, Boston University, and the London Academy of Music and Dramatic Arts, he has built an impressive theatre career with leading companies including SpeakEasy Stage Company, Commonwealth Shakespeare Company, Actors’ Shakespeare Project, Sh!t-faced Shakespeare, and Wheelock Family Theatre, where he received an Elliot Norton Award for his performance in The SpongeBob Musical.

Currently, DiMaggio is leading the regional premiere of Swept Away at Boston’s Calderwood Pavilion through May 23. The production marks the first staging of the musical without its original cast, with DiMaggio stepping into the role originally created by Tony Award winner John Gallagher Jr. Based on the music of The Avett Brothers and inspired by their acclaimed concept album Mignonette, the production has already received enthusiastic reviews and recognition from both the band and local media.

Beyond the stage, DiMaggio’s screen credits include the award-winning short films Shampoo (2024) and Dissection Day (2025), as well as appearances on the national and international festival circuit. As a composer, he has written music for the original musical Max’s House and scored the short film The Fairy House.

As the second release from Passeri Records and the second glimpse into his upcoming project, “Chasing a Trace” signals an exciting new chapter for DiMaggio as he continues to bridge his diverse artistic influences into a singular musical identity.

Connect with Peter DiMaggio: Spotify, Instagram, TikTok, Facebook, Website, Passeri Records

// ENDS //

PRESS & ONLINE PR
Press campaign via Decent Music PR
Music News, Earmilk, Schon Magazine, Atwood Magazine, Backseat Mafia, Tinnitist, Fame Magazine, CULTR, That Eric Alpher, The Luna Collective, Plastic Magazine, Entertainment Now, Music Crowns, WeSpeakMedia2, The Other Side Reviews, Rolling Hype, Stereo Stickman, The Cult Gateway, The Further, Indie Chronique, Curious For Music, The Alternative Gig Guide, melodrift music blog, Urbanista Magazine, Gisplay, Spinex

Genre(s): Singer-songwriter, Acoustic Pop, Indie Folk
Similar artists: Jack Johnson, Ethan Tasch

Short Pitch: Bittersweet with a glimmer of hope that lingers, Peter DiMaggio makes his way into our hearts again with his new single, “Chasing a Trace”. With intimate vocals resting on a cloud of layered acoustic guitars, a slide guitar that pulls on your heartstrings, and a lonely trumpet solo that would make Chet Baker proud, this dreamy production brings you in for a warm embrace in the wake of a cold morning after. Following in the footsteps of Jack Johnson with touches of Ethan Tasch, Peter DiMaggio strikes the perfect balance of easy listening and honest lyricism that captures a vivid snapshot of an all-too-relatable experience. Recorded & produced in Boston, LA, and Europe, this Midwest boy couldn’t be more excited with the team he has built and how far he has come.

Press Contact: Danielle Holian – Decent Music PR
Email: danielle.holian@decentmusicpr.com
Website: www.decentmusicpr.com
Telephone/Whatsapp: +44 (0) 204 572 2260
Reviews: TrustPilot, Google Reviews

A Bold, Personal, and Meticulously Crafted Journey Through Thought, Change, and Introspection

LISTEN HERE | DOWNLOAD ALBUM | MEDIA ASSETS

For more than a decade, New Jersey-based singer/songwriter, guitarist, and producer Carlotta Schmidt (she/they) has been captivating audiences with soaring vocals, heartfelt lyricism, and vibrant acoustic guitar work. Now, with the release of her sophomore album Overthinker, Schmidt delivers their most intimate and ambitious work to date; an entirely self-written and self-produced 10-track record that reflects a life in transition, reflection, and emotional intensity.

Released in 2025, Overthinker showcases Carlotta Schmidt’s full creative control and artistic vision. The album features her band, The Bold, alongside acclaimed guest musicians cellist Dave Eggar (Coldplay, Lady Gaga, Norah Jones) and violinist Lyris Hung (Beyoncé, Quincy Jones, Indigo Girls). Together, they help shape a richly layered sonic landscape that blends jazz-inspired acoustic rock with emotionally charged storytelling.

Schmidt’s first self-titled album introduced audiences to their signature blend of original compositions and reimagined classics, earning praise for its inventive acoustic jazz-rock approach. With Overthinker, critics and fans alike have continued to celebrate Schmidt’s evolving artistry and emotional depth.

Over the years, Carlotta Schmidt has performed at iconic venues including New York City’s legendary The Bitter End, and New Jersey landmarks such as The Stone Pony, Asbury Lanes, House of Independents, and The Wonder Bar. She has shared stages with a wide range of artists, including 11-time Grammy Award winner Brandi Carlile and Grammy-nominated jazz trumpeter Jon Faddis.

In 2024, Schmidt created and produced the women-led, Lilith Fair-inspired festival Fourth Wave Fest, raising thousands of dollars for a New Jersey nonprofit supporting survivors of domestic violence. In 2025, they received the Emerging Artist Grant from the Jersey Shore Jazz and Blues Foundation, followed by a 2026 nomination for Asbury Park Music Awards’ Emerging Artist of the Year (Individual).

At its core, Overthinker is an album about thought itself; its weight, its chaos, and its meaning. “This is an album about thinking. Lots of thinking. Perhaps over-thinking,” Schmidt explains. “My life changed so much between my first and second albums. I came out, I experienced devastating loss, I worked with heroes… everything that was happening was constantly swirling around my head.”

The album spans themes of love, grief, anxiety, longing, identity, and transformation. Written over approximately four months, each song was created by Schmidt alone, composed on a 1979 Guild D55 acoustic guitar, frequently in quiet solitude on her bedroom floor.

Schmidt self-produced Overthinker, choosing to maintain full creative control. “I had a very clear vision in my head for every aspect of the album. I spent hours reworking mixes, arrangements, and every small detail,” they said. “I loved the independence of being my own producer. I found it to be a very empowering and rewarding experience.” The Bold features guitarist Mike Flynn, bassist Paul Avrutin, and drummer Lee Finkelstein (of the original Blues Brothers Band). Each brought distinct musical experience and personality into the recording process, helping shape the album’s dynamic foundation.

The record also includes standout contributions from Dave Eggar, whose free-form cello arrangements added unexpected depth, and Lyris Hung, whose violin work brought emotional texture. Hung’s involvement was especially meaningful for Schmidt, who has long admired her work with the Indigo Girls. “I didn’t think she would say yes,” Schmidt shares. “But she did. And working with her was unforgettable.”

“Let Me Be Me” is an anthem of identity and self-acceptance. The track quickly became a personal favorite for Schmidt and a fan highlight. Its music video features 67 participants from around the world holding lyric cards, amplifying its message of unity and queer visibility. “Oyster and Pearl” features both lap steel and violin; this track blends emotional contrast and sonic experimentation. “Woman Crush Wednesday” is a playful, high-energy track that showcases Schmidt’s expanded vocal and guitar range. “I Just Want To Talk To You” is a deeply personal tribute to Schmidt’s late mentor of ten years, and the only track featuring the full ensemble of The Bold, Dave Eggar, and Lyris Hung. “Rosalie” is the first collaboration with Lyris Hung, notable for its layered string arrangements and evolving studio experimentation.

TRACKLIST
Since You Never Asked
Woman Crush Wednesday
I Just Want To Talk To You
Let Me Be Me
Oyster and Pearl
Brother
Dream of You
Rosalie
Now I Don’t Miss You Anymore
Two Steps Forward, Twenty Back

About Carlotta Schmidt:
Carlotta Schmidt is a New Jersey-based singer/songwriter, guitarist, and producer known for their emotionally driven songwriting, dynamic live performances, and genre-blending acoustic rock style. As the leader of Carlotta Schmidt and The Bold, they continue to develop a growing body of work rooted in authenticity, experimentation, and storytelling. Whether performing solo or with their band, Schmidt remains focused on evolving their craft and connecting deeply with audiences through music.

Connect with Carlotta Schmidt: Instagram, Spotify, YouTube, Website

//ENDS//

NOTES TO EDITORS

Genres: Singer/songwriter, Americana, rock, jazz. Schmidt calls her music genre: “jazz-inspired acoustic rock” 

Similar artists: Brandi Carlile, The Indigo Girls, Melissa Etheridge, Janis Ian, Fleetwood Mac, Sarah McLachlan, The Highwomen

Overthinker Credits: All songs written by Carlotta Schmidt

Album Personnel:
Carlotta Schmidt (vocals and guitar),
Mike Flynn (guitar, lap steel and vocals),
Paul Avrutin (bass and vocals),
Lee Finkelstein (drums and shaker),
Dave Eggar (cello), and
Lyris Hung (violin)
Produced by Carlotta Schmidt | Co-Produced by Heather Bedenko and Ed Schmidt
Recorded at Shorefire Recording Studios, Long Branch, NJ
Engineered and mixed by Joe DeMaio
Mastered by Leon Zervos

Album Photography by Denton Schmidt
Album Cover and Liner Notes Concept by Carlotta Schmidt
Album Design by Kathy Smyth

Press Contact:
Danielle Holian – Decent Music PR
Email: danielle.holian@decentmusicpr.com
Website: www.decentmusicpr.com
Telephone/Whatsapp: +44 (0) 204 572 2260
Reviews: TrustPilot, Google Reviews

A Nostalgic, Emotion-Driven R&B Release Exploring Memory, Identity, and Emotional Intensity

LISTEN HERE | MEDIA ASSETS

Independent singer-songwriter Symonne returns with a deeply reflective new single that captures the emotional weight of memory, identity, and the quiet echoes of the past that continue to shape the present. Blending chilled R&B, contemporary soul, neo-soul, and pop influences, Symonne continues to refine a sound that is unmistakably her own, intimate, atmospheric, and emotionally direct. Her music balances vulnerability with melodic warmth, offering listeners a space to feel deeply and reflect honestly.

Symonne is a dynamic singer-songwriter from London whose artistry is rooted in emotional storytelling and genre-blending soundscapes. Music has been part of her life since childhood, from car-ride soundtracks to nursery rhymes sung by her grandfather, Andrew aka Sonson, shaping an early connection to melody and feeling.

As she grew, she began experimenting with vocal mimicry and tone, exploring the textures of artists she admired. That curiosity developed into a committed passion for songwriting and performance, forming the foundation of her distinctive artistic identity.

Living with BPD has intensified Symonne’s emotional perception, allowing her to translate complex internal experiences into raw, relatable music. Her songwriting often explores relationships, heartbreak, and the subtle emotional moments that define who we become.

As a proud independent artist, Symonne has already received support across major UK platforms including airplay on BBC 1Xtra and Rinse FM, as well as features in WORDPLAY Magazine. She has also performed live at The Courtyard Theatre, continuing to build a reputation for emotionally resonant live performances.

The new release, ‘The Way You Love’ is a warm, atmospheric R&B track rooted in nostalgia and emotional memory. It reflects on the people, moments, and past versions of oneself that linger quietly in the mind, not as longing, but as lasting emotional imprints that continue to shape the present.

Written during a reflective period, the single draws on Symonne’s lived emotional experience, including her relationship with BPD, which often heightens the clarity and intensity of memory. This perspective allows her to transform personal recollections into something cinematic, intimate, and universally relatable.

Musically, the track features smooth R&B melodies layered over soft, nostalgic production — warm chords, subtle harmonies, and a vocal delivery that balances tenderness with emotional depth. The result is a soundscape that mirrors the experience of revisiting a memory you can’t return to, but still carry with you.

This release marks a reflective chapter in Symonne’s artistry, reinforcing her ability to turn lived experience into storytelling that feels both personal and shared.

Production Credits:
Producer: Sheridan Bennett (@superbeats1)
Engineer: Angus Luke (@angusluke)
Guitarist: Miles Hoar-Hewitt (@mhh3142)

To accompany the release, Symonne is collaborating with Maryam (@maryam._.graphics) — an animation creator known for her relatable, emotionally expressive, and “girly storytelling” style — to launch a short-form visual campaign introducing the single.

Through animated vignettes, the campaign will bring the song’s nostalgic and emotional themes to life in a way that feels intimate, modern, and highly shareable. The collaboration forms the creative core of #SadClub26, a focused rollout designed to connect audiences to the emotional and relationship-centred narrative behind the track.

Symonne continues to grow a highly engaged audience through TikTok via TikTok under the handle @SoftVoicesWithin, where she shares soft, emotionally grounded content that raises gentle awareness around living with BPD

Photo Credits:
Langston Amadi (Artwork) @langstonamadi
Lincoln Gore (Photographer) @iamlincolngore
Portia Lawrence (MUA) @paintedbyporsh
Jaka Koroma (Stylist) @ja.stylesss
Black‑and‑white dress look styled by Agnes Kayleen (@kayleen.agnes)

Connect with Symonne: Instagram, Spotify
PR: Danielle Holian, Decent Music PR
danielle.holian@decentmusicpr.com 

Producer, songwriter, vocalist, and multi-instrumentalist Elare André announces the official vinyl release of his debut full-length album, MUSIC FOR ALL OCCASIONS. The project collects 13 previously released tracks, initially distributed across streaming platforms throughout 2025 and 2026 in a deliberately non-linear order, and presents them here in their intended sequence for the first time.

MUSIC FOR ALL OCCASIONS marks a defining statement from an artist known for dissolving genre boundaries and building emotionally charged, experimental pop worlds.

Rooted in alternative R&B, progressive pop, electronic experimentation, and what André has playfully termed “tainted disco,” the album exists somewhere between the club, the bedroom, and the cinematic subconscious. Drawing comparisons to artists such as James Blake, Jai Paul, Frank Ocean, Sampha, Mk.gee, Daniel Caesar, Charli XCX, and Björk, André’s sound exists in constant motion; intimate, fractured, and emotionally direct.

The result is a body of work that feels both handcrafted and expansive: music that resists perfection in favor of presence, vulnerability, and emotional immediacy.

The album’s title, MUSIC FOR ALL OCCASIONS, is intentionally ironic. André explains it as a multi-layered concept: a rejection of genre utility, a critique of mood-based listening culture, and a personal reflection on identity.

“It’s funny because there is no such thing,” André notes. “I don’t write music for a specific occasion—lounge, club, background, whatever. And for me, being queer is not something that turns off. It’s present in everything. This music carries that with it, whether it’s explicit or not.”

Across the album, queer identity is both overtly expressed and subtly embedded, shaping its emotional architecture and lyrical perspective.

Originally released as individual tracks in a deliberately scrambled order across digital platforms, MUSIC FOR ALL OCCASIONS has now been reassembled into its intended narrative flow. The vinyl edition reframes the project as a cohesive album experience; one that moves through satire, introspection, digital fatigue, love, shame, and release.

All tracks were written, produced, and performed by Eric Tempelare (Elare André), with additional lyrics and vocals by Zachary Trebellas (Fruit Punch) on “Sometimes,” the album’s only featured collaboration.

Track Highlights

• “Baby, you should get in too” – A stylistic pivot into country-leaning textures and a love song dedicated to André’s husband, recorded in part during their wedding celebration.
• “What’s Baby’s Name?” – A self-aware “brag track” built around identity, presence, and recognition.
• “Sometimes,” (feat. Fruit Punch) – A long-awaited queer collaboration exploring desire, intimacy, and contradiction.
• “Fuck That” – A rejection of influencer culture and algorithm-driven artistry.
• “And then I paused to take a selfie” – A surreal reflection on modern self-documentation and vulnerability.
• “In the modern world” – A critique of attention economies and passive consumption.
• “iPhone on my mind” – A meditation on technological dependency and compulsive attention loops.
• “Swimming in AI” – A pre-AI-generated artistic response to the accelerating presence of artificial intelligence in culture.
• “Overstimulated” – A chaotic snapshot of sensory overload in the digital age.
• “Zen Shit” – A meditation on distraction, mindfulness, and mental noise.
• “I did what I thought was right” – A reconciliation with childhood shame and identity.
• “Tainted Disco” – A genre-defining thesis for André’s emotional, shadowed dance music aesthetic.
• “Heaven is a place I wanna go if I can still go down on you” – A final statement of defiance, embodiment, and unapologetic queer presence.

MUSIC FOR ALL OCCASIONS, is not designed to match a mood; it is the mood. It is equal parts satire, confession, dance record, and emotional archive. It embraces contradiction: joy and exhaustion, irony and sincerity, intimacy and spectacle. Above all, it reflects an artist committed to creating without concession.

MUSIC FOR ALL OCCASIONS, is available on streaming services and on vinyl via elareandre.com and select independent record retailers.

Connect with Elare André:
Instagram, TikTok, Threads, Reddit, Facebook, Spotify, Apple, Tidal, YouTube Music, Amazon, Bandcamp, Website 

// ENDS //

NOTES TO EDITORS:

Photo Credits: Karlee Bailey for studio shots, Imogene Cameron for street photography, and wedding photo by Remun Jamal

Album Credits: Written, produced, and performed by Eric Tempelare (Elare André). Additional vocals and lyrics on “Sometimes,” by Zachary Trebellas (Fruit Punch)

PR: Danielle Holian, danielle.holian@decentmusicpr.com