SunSkip Releases New Single ‘Sincerely’

A Stirring Folk-Rock Narrative on Aging, Connection, and the Things We Leave Unsaid

LISTEN HERE | DOWNLOAD SONG | MEDIA ASSETS

Indie folk and alt-country artist SunSkip (the musical project of singer-songwriter Sean Maljanian) returns with “Sincerely,” a heartfelt new single blending warm storytelling with a vibrant, honky-tonk energy. The track is available now on all major streaming platforms.

Rooted in the intimacy of handwritten letters, “Sincerely” follows two characters, John and Sue, as they exchange notes later in life. While their words remain gentle on the surface, the deeper truth emerges between the lines: a shared emotional weight, the complexities of growing older, and the quiet struggles rarely spoken aloud. The result is a song that feels both tender and unflinchingly honest.

“Many of the harsh realities that come with getting older aren’t talked about enough in modern music,” Maljanian says. “A lot of people from John and Sue’s generation grew up at a time when mental health simply wasn’t discussed. They still feel like they ‘shouldn’t complain,’ even when they’re carrying so much underneath. I wanted to give voice to that, to the things we hide even from the people we love.”

Following the release of his EP Smoke and Mirrors, Maljanian sought to break out of the quiet indie-folk mould with something that would get listeners moving. What began as a simple idea quickly exploded into a full-blown folk-rock barn burner.

Working with producer Kory Burrel, the recording sessions took on an electrifying, off-the-rails spirit, one that included bottles, pans, and even a giant cardboard box in place of traditional percussion.

“We went completely berserk in the studio,” Maljanian laughs. “We wanted it to feel like a very alive saloon where the band is going absolutely crazy in the best way.”

The single features:

  • Vocals & Guitar: Sean Maljanian
  • Bass, Piano & Backing Vocals: Kory Burrel
  • Drums: Colum Enrique
  • Produced & Mixed by: Kory Burrel
  • Mastered by: Jesse Morvan

This spring, SunSkip will bring “Sincerely” to stages across New York City, including a filmed live performance with the acclaimed video team I Know We Should, known for their work with American Fest, Bluegrass Station, and No Depression. Additional NYC shows will be announced soon.

About SunSkip

Music has been woven into Maljanian’s life since childhood, weekends spent at his grandparents’ home, surrounded by upright basses, mandolins, and well-loved guitars. His earliest music memory, slipping an acorn inside one of those basses, became the accidental seed of a lifelong pursuit. He picked up a guitar at nine, began performing live at twelve, and has carried his early folk influences with him ever since. Years immersed in New York City’s rich, eclectic music scene added a rougher edge to his writing, culminating in SunSkip’s distinct indie folk, alt-country, and folk-rock sound. Fans of John Moreland, Jack Davies, and Jake Xerxes Fussell will find a familiar resonance in his work.

Follow SunSkip: Instagram, TikTok, BandCamp, Spotify, Website

SunSkip is available for press opportunities | Press Contact: Danielle Holian 

Vera Weber Earns Major International Recognition with Hollywood Music in Media Award Nomination.

Los Angeles–born composer, songwriter, and artist bridges US and European television with bold, genre‑defying work

Vera Weber, a Los Angeles–born and raised composer, songwriter, and vocalist working across film, television, and contemporary music, continues to gain international attention following a series of high‑profile award nominations and an upcoming music release tied to a major European television series.

In November 2025, Weber received a Hollywood Music in Media Awards (HMMA) nomination for Best Song in a Limited Series for her song “Rosebud,” featured in Netflix’s German thriller Woman of the Dead (Die Totenfrau), Season 2. The category was among the most competitive of the year, with Weber emerging as a surprise underdog nominee alongside global superstars including Lady Gaga, Evanescence, and Twenty One Pilots, with the award ultimately going to Lady Gaga.

“Rosebud,” released via Milan Records (Sony Music France), was written and performed by Weber, with composition by Weber and longtime collaborator Caleb Veazey. The song functions as a powerful queer anthem within the series, written for a trans character portrayed by trans actress Hayal Kaya, who also performs a cover of the song in a pivotal on‑screen scene. Weber served as the composer for the series’ songs, writing three original tracks, all of which appear on the official soundtrack album.

Weber’s momentum continues into 2026 with an upcoming nomination at the German Television Academy Awards (Deutsche Akademie für Fernsehen), taking place in late February. She is nominated for Best Original Score in a TV Film for Die Stille Am Ende der Nacht (The Stillness at the End of the Night), a 90‑minute thriller produced by Network Movie GmbH for ZDF and directed by Lars Gunnar Lotz. Weber co‑composed the score alongside acclaimed composer Matthias Weber, known for his work on Das Boot (Sky/Hulu) and multiple Academy Award–winning feature films.

The score stands out for its unconventional approach, heavily featuring Vera Weber’s vocals woven into suspense‑driven, techno‑ and pop‑influenced thriller arrangements.

Earlier this winter, Weber was also nominated at Televisionale Weimar (December 2025) for Best Film Music in a TV Film or Series for Ewig Dein (Forever Yours), a thriller directed by Johanna Moder, a Berlinale Golden Bear nominee. The film was produced by Tivoli Film GmbH and Mona Film GmbH for ZDF and ORF. The nomination reflects Weber’s ongoing presence within Europe’s television music landscape.

Alongside her award recognition, Weber is set to release new music in early January 2026 connected to the upcoming ZDF Neo series Take the Money and Run, produced by pyjama pictures GmbH. The series, premiering January 5, explores the true‑crime story of Ruja Ignatova, the infamous Bulgarian‑German “Cryptoqueen” and one of the FBI’s most wanted fugitives.

The end‑title song “Satan’s Advice,” releasing January 3, was written specifically for the series and is inspired by Ignatova’s extravagant, globe‑trotting life and eventual downfall. The track marks the debut release of Candy as a Nun, a new indie‑pop project by Weber and guitarist/composer Caleb Veazey, with the pair sharing songwriting duties equally. Weber performs lead vocals on the song. While the series’ original score will not be released as a soundtrack, “Satan’s Advice” serves as a standalone artistic statement drawn directly from the show’s themes.

Weber’s compositional style fuses contemporary popular music with cinematic scoring, incorporating layered vocal production, strings, choir, synths, guitars, percussion, and experimental textures. Her work has drawn comparisons to composers such as Mica Levi, Hildur Guðnadóttir, Jonny Greenwood, and Cristóbal Tapia de Veer, while her songwriting aligns with artists like Sharon Van Etten, Beach House, and Billie Eilish.

Based in Los Angeles with deep professional roots in Germany and Austria, Vera Weber continues to build a transatlantic career that challenges genre boundaries and brings emotionally charged, culturally resonant music to the screen.

Find Vera Weber:
Instagram, Facebook, Spotify, Website, IMDb, Photos + Artwork 

Selected Coverage:
Billboard – Hollywood Music in Media Awards Nominations
Variety – Cryptoqueen Series Announcement
All Press Inquiries: Danielle, danielle.holian@decentmusicpr.com 

Ava Renn Debuts With ‘Lightning Child’: A Seductive, Unfiltered Burst of Sound and Soul

Ava Renn announces her electrifying debut album Lightning Child, a fearless fusion of rock, alt-pop, and raw emotion. It’s a collection that crackles with intensity, where dirty guitars meet aching ballads, and every lyric hits like a heartbeat.

Writing since age 11, and raised by two writers, Ava’s voice carries the grit of experience and the vulnerability of someone who’s faced life head-on. After a transformative journey across Texas, she returned to the high desert to record Lightning Child, nine days of explosive creation with a five-piece band.

The album channels the primal energy of The Kills, the fire of PJ Harvey, and the haunting intimacy of Fiona Apple. Each track pulses with Ava’s bold vision: unflinching, unapologetic, alive.

Track Highlights:
Hands – A sultry, bipolar journey through the bitter stages of grief post-relationship.
Dog Eyes – Animalistic and funky, stepping into a new era of personal power.
None the Wiser – Shoegaze-style reflection on repeating harmful cycles.
The Wind Chimes – Reflective meditation on relationships never fully understood.
See What I’ve Seen – Raw rocker, a preemptive protection of the inner child.
Woman of the Wind – Gentle, poetic journey toward self-acceptance after heartbreak.
6’s to 7’s – Dark rocker exploring the entrapment of desire and greed.
Still Through it All – Bluesy, intimate, closest to country on the album.
Lightning Child – Melodic rocker celebrating self-actualisation and fiery spirit.
The Clearing – Haunting piano/string ballad about the silence following loss.

Album Credits:
Produced by Doyle Odom and Ava Renn | Engineered by Doyle Odom, Matthew Tobias, Bill Palmer | Mastered by Brian Lucey | Album photography by Devinn Pierre | Design by Kamtin Mohager

Ava Renn isn’t just making music; she’s staking her claim as a force to be reckoned with.

Follow Ava Renn: Instagram, X, TikTok, Spotify, YouTube, Website

All Press Inquiries: Danielle Holian, Decent Music PR | danielle.holian@decentmusicpr.com

Katie Dauson Unleashes Grit and Groove on ‘Get Ready’

PHOTO CREDITS: James Nickle

LISTEN HERE | MEDIA ASSETS

Toronto’s versatile and genre-defying singer-songwriter Katie Dauson is back with her latest single, ‘Get Ready’, a high-energy rock and roll track infused with blues and rockabilly elements. Known for her ability to seamlessly weave together rock and roll, surf rock, rockabilly, folk, and bluegrass, Dauson continues to craft songs that are both timeless and uniquely her own.

“I was listening to a lot of 70s rock and roll and rockabilly music, which inspired me to write this song,” Dauson shares. “Originally, there was no harmonica in the track, but after hearing Bob Seger’s Katmandu and his iconic harmonica solos, I knew I had to add them—and play them myself. The song is full of energy, from the vocals to the rhythm guitar and harmonica solos. Lyrically, it’s about self-doubt pushing me to do better, confronting detractors, and challenging them to rise up too. Even with its deeper meaning, I wanted to keep the song positive and upbeat.”

Lyrically, ‘Get Ready’ explores self-doubt and the drive it sparks, while also confronting detractors with a challenge: rise up or step aside. Despite its deeper meaning, Dauson frames the track in an upbeat, positive vibe that makes it impossible not to move along.

Dauson drew inspiration from blues harmonica legends Junior Wells and James Cotton, merging their soulful grit with classic 70s rock and rockabilly energy. She played rhythm guitar on her 2014 left-handed Gretsch Duo Jet, channeling George Harrison and the Beatles, while infusing her vocals with the rough-edged style of artists like Bob Seger and Wanda Jackson.

‘Get Ready’ is produced and engineered by James Nickle, and features Dauson’s own rhythm guitar and harmonica solos, showcasing her signature blend of skill, passion, and versatility.

Find Katie Dauson: FACEBOOK | INSTAGRAM | SPOTIFY | WEBSITE

Katie Dauson is available for press opportunities | Press Contact: Danielle Holian 

WHAT THE CRITICS ARE SAYING…

“She deserves attention in today’s rock realm” – Earmilk

“An artist to watch in the years to come” – Buzz Music

“Dauson’s commitment to originality and integrity shines” – The Songbird

“Her sonic talent and joy-filled songwriting make her an enduring figure in the modern musical sphere” – Plastic Magazine

“I was delightfully taken aback by the uniqueness of Katie’s music” – Canadian Beats

“Dauson continues to make waves in the music world with her authentic, genre-defying sound” – Entertainment Now

“It’s vibrant, it’s vulnerable, and most of all—it’s pure Katie” – Rotate Magazine

“Dauson creates a nostalgic sound which avoids feeling dated” – Fame Magazine

Dantiti Drops Infectious New Single ‘Big Big Tinz’: A Celebration of Creativity and Rhythm

LISTEN HERE | DOWNLOAD SONG | MEDIA ASSETS

Nigerian-born artist Dantiti is back with his latest single, “Big Big Tinz”, a vibrant testament to his journey through Afrobeats, Afrofusion, rap, and R&B, in collaboration with Decent Music PR. Known for blending infectious grooves with heartfelt storytelling, Dantiti continues to carve out a unique space in contemporary African music.

Raised in Benin City, Dantiti fell in love with music at an early age, rapping along to Notorious B.I.G. and dreaming of becoming a DJ. His teenage years were marked by a deep dive into beat-making, a passion that followed him from Nigeria to Ghana and eventually the UK, where he studied Marketing at the University of Wolverhampton.

In 2017, he founded iDope Records, a family-run label emphasizing independence and creative control. Early collaborations with acclaimed producer Princetonbeatz in Lagos helped shape his signature sound, blending the energy of Afrobeat legends like Fela Kuti with his own reflective tone.

Dantiti’s debut single “Sweet Carolina” (2021) introduced his distinctive voice, followed by “Yemisi”, a melodic Afrobeats love song that offered a more personal glimpse into his artistry. His first EP, released in 2025 under iDope Records, traced his evolution as both an artist and producer, showcasing his versatility across genres.

“Big Big Tinz” was born from a spark of creative energy. Dantiti explains, “Leo Pynk sent me the beat, which was originally made for Davido. When Davido didn’t take it, I knew it was meant for me. I wrote and recorded the song in my apartment studio, and after sending it back to Leo, he loved it and requested to be featured. That’s how ‘Big Big Tinz’ came to life.” Produced, mixed, and mastered by Leo Pynk, the track pulses with optimism and the feeling that wherever life takes you, there’s always a rhythm to move to.

With themes of love, resilience, and self-expression, Dantiti’s music continues to resonate with audiences worldwide. “Big Big Tinz” is available on all streaming platforms, and marks another exciting chapter in the journey of one of Nigeria’s most dynamic emerging artists.

Follow Dantiti: Instagram, X, Spotify

All Press Inquiries:
Danielle Holian, Decent Music PR | danielle.holian@decentmusicpr.com 

Why Another Release “Hold On Tight”

LISTEN HERE | MUSIC VIDEO | ARTWORK | MEDIA ASSETS

Socials: Instagram, Spotify, YouTube, Website

NYC based Why Another return with “Hold On Tight”, a dark indie-rock journey reflecting on the emotional turmoil forged by a messy and unpredictable world. The song captures a rare moment in the human experience, the uneasy acceptance that chaos cannot always be resolved or controlled. Above all, ”Hold On Tight” challenges listeners to find balance and quiet hope in a fast-paced world that doesn’t let up.

“Hold On Tight” opens with a bold, groove-driven energy anchored by an arresting guitar riff, drawing listeners into a world of tension and uncertainty. As the song progresses, it transforms, rhythmically and emotionally, reflecting the shift from external panic to internal clarity. The result is both intimate and cinematic: a cathartic anthem about letting go when everything feels like it’s falling apart..

Musically, the track was written to highlight each band member’s strengths, thriving on dynamic interplay and live chemistry. Produced by Adi Malka, Franky Gonzalez, Jordan Howard Kerr, Yong Yoon Kim, and Pietro Gennenzi, the song channels raw feeling into sonic release, a hallmark of Why Another’s evolving sound.

The single is accompanied by an animated short film, a surreal visual narrative that follows a nameless character in total free fall. Panicked at first, he slowly learns to accept the descent, encountering surreal objects and fleeting moments of fear and wonder. The animation style is inspired by printmaking. Blown out shapes morph between abstraction and legibility. Flat colors overlap in a mesmerizing, inky blur. Throughout the character’s journey, each frame is at once a deep void and a flat surface.  As he surrenders to the fall, the chaos dissolves, and he discovers peace in simply being. It’s a powerful visual echo of the song’s core message: no more control, no more struggle, just release.

About Why Another

New York-based Why Another crafts songs that feel like inner dialogue, intimate, reflective, and cinematic in scope. Their sound fuses warm analogue textures with modern indie-rock dynamics, evoking nostalgia while pushing boundaries. Centred around Adi Malka’s distinct tone and melodic instinct, the band explores the space between vulnerability and bold experimentation.

Tracks like “Outside the Globe,” “Beware,” and “Garden Fade” have earned acclaim for their hypnotic grooves and emotional depth, praised by outlets including Lost in the Manor, Where the Music Meets, Musikepool, and Hailtunes.

On stage, Why Another transforms introspection into connection; their live shows are equal parts immersive and human, offering audiences not just a performance, but a shared experience.

“Hold On Tight” continues that tradition, reminding us that even when the world spins out of control, there’s strength in letting go.

My Side of Paradise Announces New Single ‘All My Exes (feat. Jaret Reddick of Bowling For Soup)’

LISTEN HERE | MEDIA ASSETS

“My Side of Paradise aren’t just creating anthems for a lost generation; they’re crafting a message for anyone feeling stretched thin by the modern performance culture.” — Broken 8 Music

“My Side of Paradise is a mix of energy, honesty, and emotion…” — V13 Magazine

My Side of Paradise returns with their new single “All My Exes (feat. Jaret Reddick of Bowling For Soup)”, available on all major streaming platforms. Following the band’s heavy, high-energy, and cinematic releases, “I’ve Got Time,” “Roulette,” and “Lost and Angelless”, this latest track showcases a different side of the band: witty, self-aware, and unapologetically fun.

“All My Exes” is a tongue-in-cheek breakup anthem that flips the usual narrative, admitting the uncomfortable truth most people avoid, that sometimes, we’re the problem. The track blends the nostalgic charisma of early-2000s pop-punk with the emotional edge and polish that define My Side of Paradise’s evolving sound.

The single also features an iconic guest performance from Jaret Reddick, frontman of pop-punk legends Bowling For Soup, whose signature voice helped shape the very genre My Side of Paradise draws inspiration from.

“This song is us having fun and embracing our more poppy roots,” says My Side of Paradise. “We’ve released heavy songs and emotional songs, but ‘All My Exes’ shows that we can also laugh at ourselves. Having Jaret Reddick on it is surreal. His voice helped define this genre, and now he’s part of our story.”

Accompanying the single’s release is a visually inventive and humor-filled music video that takes viewers inside a therapy session gone completely off the rails. As the band’s frontman confronts his past relationships, reality begins to unravel,  the waiting room morphs into a live performance, exes start to appear from thin air, and the therapist is revealed to be Jaret Reddick himself, video-calling in from a tropical getaway.

Due to Reddick’s touring schedule (and with his full blessing), the band took a cutting-edge creative approach, using AI technology to bring him into the video. By combining Midjourney for imagery with Kling for motion, prop integration, and lip-syncing, the team created a remarkably lifelike AI-generated version of Reddick that blurs the line between the real and the surreal.

The result is a tongue-in-cheek, emotionally charged, and visually stunning video, a perfect mirror of the song’s themes of self-awareness, chaos, and finding humor in heartbreak.

ARTIST BIO:
My Side of Paradise is an original pop rock band blending poppy hooks, emo revival nostalgia, and a hint of melodic metalcore intensity. Formed by longtime friends who cut their teeth in the 2000s emo scene, the band rekindled their passion for writing music after years of touring nationally with their successful cover project Emo Kids, where fans across the country repeatedly asked if they had originals. That demand sparked the next chapter. Rooted in emotional honesty, big choruses, and cinematic storytelling, My Side of Paradise explores relationships, identity, and the struggle to stay authentic in a world obsessed with image. Their music resonates with fans who grew up screaming along to emo in their bedrooms—and still feel something when the chorus hits. With each release, the band continues to prove their range across heavy, poppy, and deeply introspective sounds, carving out their own place in the modern emo and alt-rock revival.

FFO:
Bowling For Soup, A Day To Remember, Story Of The Year, Yellowcard

GENRE(s):
Pop Rock, Emo, Pop-Punk, Metalcore

MEMBERS:
Jordan Coon – Vocals / Lyricist
Sam Rines – Lead Guitar
Randell Adams – Bassist / Lyricist
Steve Cheung – Rhythm Guitar / Lyricist
Jason Michalski – Drums

FOLLOW MY SIDE OF PARADISE:

Facebook, Instagram, TikTok, Spotify, YouTube

Nina Ann Nelson Returns with Empowering New Single “Just a Little”

LISTEN HERE | DOWNLOAD SONG | MEDIA ASSETS

Following the success of her debut solo single “Two Truths and a Lie,” singer-songwriter Nina Ann Nelson returns with “Just a Little,” a striking blend of pop and R&B/soul that radiates confidence, clarity, and self-worth.

Produced by Symphony (ZAYN, GOT7, Kehlani) and written by Nina Ann Nelson, “Just a Little” is a sonic and emotional evolution for the artist, an unfiltered look at recognising one’s value and refusing to settle for less, in love or in life.

“This is the first time I’ve released a song while I’m still living the story it’s about,” Nina shares. “Just a Little came from a recent romantic encounter that woke me up to what I’d been accepting for way too long — counting the bare minimum as something meaningful when it just… isn’t. After repeating that cycle one too many times, this was the moment that broke it. It’s funny, because this guy didn’t do anything worse than the others. He just happened to be the last one to do it to me. The song is that realization: like, you see who I am, right? I’m hot, I’m talented, I’m self-sufficient, I make my own money, I’m funny, I’m empathetic — I’m all these things and more. So why should I settle for someone giving me just a little? At the end of the day, half-assed is still ass. And I’m done with the bare minimum.”

With lush production, sultry melodies, and Nina’s signature soulful delivery, “Just a Little” stands alongside contemporary artists like Kehlani, KWN, RAYE, Cleo Sol, Kali Uchis, Leon Thomas, and Sasha Keable, artists who seamlessly bridge emotional honesty with groove and sophistication.

With support from tastemakers such as JustJared, UPROXX, Playbill, Modern Luxury, and Broadway, Nina Ann Nelson is re-emerging under her own name, embracing complete creative freedom.

JustJared
UPROXX
Playbill
Modern Luxury
Broadway

ARTIST BIO:

Nina Ann Nelson is one of the most sought after and skilled R&B/pop vocalists and songwriters in Los Angeles. Getting her start in music as one of three members of Citizen Queen, the Pentatonix-created girl group, who went viral with their video “Evolution of Girl Groups,” Nina and the group were signed to RCA and completed a 30-city arena tour. As Citizen Queen became independent, Nina seamlessly stepped into the roles of lead songwriter, vocal arranger, vocal producer, and engineer. On TikTok, she built a massive following for her quick wit, songwriting, and powerhouse vocals, earning recognition from global stars like Rosalía and Leon Thomas.

Outside of music, Nina has been immersed in acting from a young age, getting her start guest-starring in shows like One Day at a Time and NCIS: Los Angeles and starring as Natalie in Love Actually Live in Los Angeles and. In 2024, she debuted the role of Nikki in Burlesque the Musical for stage in the UK, a dream role that perfectly blends her love for jazz, musical theater, and performance.

Nina also co-wrote K-pop sensation TWICE’s hit “Moonlight Sunrise,” which amassed 125 million streams in under six months, helping the group reach new global audiences. Her songwriting career spans genres, working alongside industry powerhouses like R&B icons NOVA WAV, pop hitmaker Justin Tranter, and K-pop producer earattack. Nina is just getting started, bringing her diverse talents to every stage she steps on.

Nina’s debut solo project, “Two Truths and a Lie” came out in March 2025 and has amassed more than 115K streams on Spotify entirely organically and independently.

FOLLOW NINA ANN NELSON: Instagram, TikTok, YouTube, Spotify

Peter DiMaggio Releases Soul-Stirring New Single ‘Fly Away’

PRESAVE | LISTEN HERE | DOWNLOAD SONG | MUSIC VIDEO | MEDIA ASSETS

Socials: Instagram, TikTok, Facebook, Website, Spotify 

Actor, composer, and singer-songwriter Peter DiMaggio returns with his powerful new single “Fly Away,” a soaring indie-pop track that blends emotional vulnerability with cinematic production. Channeling the atmospheric textures of The 1975 and the anthemic optimism of Coldplay, DiMaggio offers a deeply personal reflection on breaking free from a toxic cycle — and the hope that endures even in moments of darkness.

“I wrote this song in the wake of a toxic relationship,” says DiMaggio. “Though I eventually found the strength to leave, this song came from the middle of it — that place where, no matter how bad it gets, you keep getting pulled back in. It’s about yearning for the version of yourself that can finally let go.”

“Fly Away” marks a milestone for DiMaggio: it’s his first fully self-written and self-owned release, a poignant coincidence for a song about reclaiming one’s power. The track serves as a bold introduction to his upcoming body of work under his new independent label, Passeri Records, with a larger project planned for release this spring.

“Fly Away” is the true proof of concept for Passeri Records, marking a pivotal moment in Peter DiMaggio’s journey as an artist, filmmaker, and creative producer. The music video exists at the crossroads of his experience in music, film, acting, dance, fight choreography, writing, and production—an all-encompassing showcase of artistic storytelling. Built over months of development, rehearsals, and collaboration, “Fly Away” transforms a deeply personal song into a cinematic experience that merges movement, emotion, and visual narrative.

To bring the vision to life, Peter assembled what he calls his “all-star team”—a group of collaborators he met through years of acting in independent films and creative projects. Directed by Annette Milburn, produced by Jonathan Oliviera, and shot by cinematographer Raphaël Edwards, the video features intricate production design by Grace Roden and Jillian Rosadino, expressive choreography by Monica Gallego, and a 47-second one-take sequence involving more than fifty cast and crew members. Every frame reflects the precision, artistry, and trust shared across departments, proving that independent artists can produce professional-quality work with intention, ingenuity, and heart.

At its core, “Fly Away” is a statement about creative community and empowerment. Through Passeri Records, Peter DiMaggio aims to redefine what independent artistry looks like, fostering an environment where collaboration thrives and artists maintain full creative control. The project stands as both a personal milestone and a collective triumph, celebrating the belief that when passion and purpose align, you don’t just make art—you take flight.

“This release proves that through focused collaboration, independent artists can create industry-quality product free of the constraints of a traditional record deal. Collaboration isn’t just the method; it’s the message. When artists create freely, we all rise together.”

About Peter DiMaggio

Born and raised in Columbus, Ohio, Peter DiMaggio is an award-winning actor and multi-instrumentalist composer whose artistry bridges stage and studio. A self-taught musician, DiMaggio plays piano, guitar, bass, ukulele, harmonica, and more. After studying acting at Interlochen Arts Academy, Boston University (BFA), and the London Academy of Music and Dramatic Arts, he built a thriving theater career with acclaimed companies such as SpeakEasy Stage Company, Commonwealth Shakespeare Company, Actors’ Shakespeare Project, and Wheelock Family Theatre — where he earned an Elliot Norton Award for his work in The SpongeBob Musical.

Currently, DiMaggio has upcoming appearances in Lizard Boy (SpeakEasy Stage Company), which opens on October 24 to November 22, and A Christmas Carol (Commonwealth Shakespeare Company) from December 6 to 23. His on-screen work includes the award-winning short film Shampoo (2024) and Dissection Day (Fatale Films), currently making the rounds in the national and international festival circuit.

As a composer, DiMaggio’s credits include the original musical Max’s House (The Tank NYC, regional tour) and the film score for The Fairy House (Another Age Productions). His music can be streamed across all major platforms.

A Note on Passeri Records & the Crowdfunding Campaign

“Fly Away” also marks the first official release from DiMaggio’s newly founded indie label, Passeri Records, created as a home for authentic, emotionally resonant music and cross-disciplinary collaboration. The project was successfully crowdfunded with the help of Andrew Logue through Indiegogo, raising over $10,000 from fans and supporters.

“Passeri Records is my way of creating a sustainable artistic ecosystem — one where artists can tell their stories on their own terms, and where the success of each project elevates the next,” says DiMaggio.

Track Information

  • Artist: Peter DiMaggio

  • Single: Fly Away

  • Genre: Indie Pop / Singer-Songwriter

  • RIYL: The 1975, Coldplay, Glen Hansard

  • Label: Passeri Records

  • Artist: Peter DiMaggio

  • Single: Fly Away

  • Genre: Indie Pop / Singer-Songwriter

  • RIYL: The 1975, Coldplay, Glen Hansard

  • Label: Passeri Records

Naiyah Unveils Soulful New Single ‘Love Unknown’ Featuring Tahn Solo

LISTEN HERE | MEDIA ASSETS

Multi-disciplinary artist Naiyah announces the release of her latest single, Love Unknown (feat. Tahn Solo), a soulful reimagining of her February release that dives deeper into themes of love, vulnerability, and self-discovery.

Running at two minutes and forty-three seconds, Love Unknown captures the emotional push and pull of love, the tension between fear and desire, confusion and clarity. Naiyah’s smooth, sultry vocals blend with ethereal melodies, jazzy chords, and a laid-back, almost lo-fi drum groove to create a sound that feels both timeless and contemporary.

Collaborating with Tahn Solo brings an added dimension of intimacy and warmth, enriching the sonic landscape and completing the narrative. Together, the artists craft a piece that feels personal yet universal — an ode to growth, self-worth, and the beauty found in vulnerability.

“Love Unknown, featuring Tahn Solo, is a soulful reimagining of an already magical song. I wanted to create something that feels intimate and uplifting, celebrating love, self-worth, and personal growth,” says Naiyah.

Drawing inspiration from the smooth sophistication of Sade, the emotive depth of Aaliyah, and the modern soul sensibilities of Cleo Sol and Snoh Aalegra, Naiyah continues to cement her place as one of London’s most exciting emerging voices in R&B and Soul.

With Love Unknown (feat. Tahn Solo), Naiyah invites listeners to slow down, breathe, and connect — to the music, to love, and to themselves.

ARTIST BIO

Textured, soulful, and evolving, London-based multi-disciplinary artist Naiyah’s journey with music began at home, where her dad – once a DJ – filled her childhood with old-school hip-hop, R&B, and funky house. Rooted in Jazz, Neo-soul, and R&B, her meditative, sultry tone weaves the stories of those early memories.

Beginning as a soprano in church choirs, Naiyah’s passion for storytelling quickly blossomed into an award-winning career. Now firmly rooted in London’s jazz scene, she has performed at venues like Ronnie Scott’s and festivals including We Out Here and Brick Lane Jazz Festival.

Her debut single, Blue Dream, made waves, earning support from BBC Radio Introducing, Global Soul, and tastemakers like Jodie Bryant and Rebecca Judd. The track landed on major Spotify playlists, marking her as a rising force in UK RnB and soul.

Alongside her music, Naiyah is the creative force behind NaiyahCreative, a studio specialising in contemporary design, illustration, and oil painting. Her visual art explores wellness, softness, and empowerment, enriching the holistic experience she offers her audience.

Love Unknown (feat. Tahn Solo) is now available across all streaming platforms.

Follow Naiyah: Instagram, Facebook, Spotify, Website
Follow Tahn Solo: Instagram, Spotify, Website